people mumble or stutter a lot, causes errors in the youtube auto-transcript
people end sentences with e.g. "right?" a lot (may be nice to remove for readability)
youtube can't understand foreign-language words (e.g. Greek, Latin, etc), often resolves them incorrectly
youtube doesn't mark WHO is speaking, so you can't follow who said what.

Each one of these is worth the time in hand correction...

Section 1: 00:00:01,120 – 00:00:05,229

This is real.

Section 2: 00:00:05,239 – 00:00:17,675

[music]

Section 3: 00:00:27,510 – 00:00:32,085

>> [Music]

Section 4: 00:00:32,095 – 00:00:35,270

[music]

Section 5: 00:00:35,280 – 00:00:44,530

>> Heat up here. [music]

Section 6: 00:00:44,540 – 00:00:49,115

[music]

Section 7: 00:00:53,710 – 00:01:01,270

>> [Music]

Section 8: 00:01:01,280 – 00:01:05,670

>> Heat up [music]

Section 9: 00:01:05,680 – 00:01:09,420

Here.

Section 10: 00:01:09,430 – 00:01:14,630

[music]

Section 11: 00:01:14,640 – 00:01:21,210

Heat [music]

Section 12: 00:01:21,220 – 00:01:27,760

[music]

Section 13: 00:01:30,080 – 00:01:34,149

Section 14: 00:01:34,159 – 00:01:39,551

Here. [music]

Section 15: 00:01:39,561 – 00:01:46,101

>> [Music]

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[music]

Section 17: 00:01:57,200 – 00:02:04,441

>> Heat. Heat. [music]

Section 18: 00:02:04,451 – 00:02:13,110

>> [Music]

Section 19: 00:02:13,120 – 00:02:16,869

>> Heat.

Section 20: 00:02:16,879 – 00:02:25,401

Heat.

Section 21: 00:02:25,411 – 00:02:30,641

[music]

Section 22: 00:02:30,651 – 00:02:35,881

>> [Music]

Section 23: 00:02:35,891 – 00:02:37,910

[music]

Section 24: 00:02:37,920 – 00:02:42,431

>> Heat up here.

Section 25: 00:02:42,441 – 00:02:52,256

[music]

Section 26: 00:02:53,920 – 00:02:57,910

Heat.

Section 27: 00:02:57,920 – 00:03:03,392

[music]

Section 28: 00:03:17,812 – 00:03:25,007

>> [Music]

Section 29: 00:03:25,017 – 00:03:29,990

[music]

Section 30: 00:03:30,000 – 00:03:37,452

>> Heat up [music] Here.

Section 31: 00:03:37,462 – 00:03:44,002

[music]

Section 32: 00:03:44,012 – 00:03:48,587

>> [Music]

Section 33: 00:03:48,597 – 00:03:52,229

[music]

Section 34: 00:03:52,239 – 00:03:55,137

>> Heat

Section 35: 00:03:55,147 – 00:03:59,722

[music]

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Section 37: 00:04:04,972 – 00:04:14,787

[music]

Section 38: 00:04:14,797 – 00:04:24,790

>> [Music]

Section 39: 00:04:24,800 – 00:04:44,870

>> Oh god. Welcome back to Lady Bevel. Oh people, you can hear the joy in my voice. God wants to come out, people. It's coming out tonight because this is oh people there are some things that are rare rare

Section 40: 00:04:44,880 – 00:05:10,550

Beautiful realities that express themselves as gifts gifts. And if you don't recognize those gifts, nemesis will come after you. So remember that next time you're going to bed. Oh god. People tonight it is my distinct pleasure to bring you

Section 41: 00:05:10,560 – 00:05:35,353

Joe Martinez from Junius. Now I want to say a few words before Joe comes in and congregation we will get to the lovely lovely soul sucking. But tonight, we're going to save that for the end and we're going to start instead with the main course.

Section 42: 00:05:35,363 – 00:05:41,350

[Sighs] We're going to start instead with the main course.

Section 43: 00:05:41,360 – 00:06:23,169

Bring up the first slide. The people, the prophet, the prophets will bring us will sing us in will sing in Joe. God, people, I can't I just can't hold it. I'm going to start running around screaming in a minute. People, this pocket stuff is too much. People, the quote that I want you to burn into your brain, I'm hoping that all these great musicians who can teach themselves through the internet step up and put all that great learning and all that great inspiration into creating new stuff,

Section 44: 00:06:23,179 – 00:06:23,909

[gasps]

Section 45: 00:06:23,919 – 00:06:44,710

New songs. the future of music and at a higher standard than what it is now, says the prophet Hammet. [clears throat] The metal prophet has spoken. Do you know why? Because it's all crap. Because it's all crap.

Section 46: 00:06:44,720 – 00:07:07,749

Tonight I am not bringing you popular music and the minations of the dizzed cerebral cortices of the ladies with the red woods in the swifties. No, we must purge ourselves. We must purge ourselves.

Section 47: 00:07:07,759 – 00:07:15,830

These are the words of the prophet, [laughter] the son of God himself. Understand? Ow.

Section 48: 00:07:15,840 – 00:07:39,510

Where did that democracy go? Now people, if you want to put that up, go ahead. Look at the face of this man maniac prophet. Prophets of the strings. Your stuff. Your songwriting and music are crap.

Section 49: 00:07:39,520 – 00:07:56,629

Crap. People. Okay, now with that set in, I know that may have been uncomfortable. For those of you who enjoyed that, I have a chamber full of chains and whips that you will undoubtedly

Section 50: 00:07:56,639 – 00:08:14,309

Fall in love with. Oh, God. People, are we ready? Chewy, [clears throat] those are the words of the prophet. So, I'm going to call up Joe now. Not right now, Chewy. I want to introduce him this way. Gabriel, 100%.

Section 51: 00:08:14,319 – 00:08:25,270

100% Truth here, satanic congregation. We have nothing to hide. We have nothing to hide. Right. Oh god.

Section 52: 00:08:25,280 – 00:08:59,030

Okay. He may have an audio issue. We're going to call. We're going to bring him up. But before we do, this is how I met Joe. I met Joe through an email. I met Joe through an email. He sent me an email. I want him to be here for this. Get him up there. Let's see. Oh, he's got to join. Joe, you've got to join. You've got to join. Something happened. Oh, God. People, Joe sent me an email and said, "Hello, I'm Joe from Jonius and you have

Section 53: 00:08:59,040 – 00:09:19,910

Inspired an album and here it is." people. I was I was completely and thoroughly knocked out of my body. Right. Right. Knocked out of my body. Here is an album directly from the muse.

Section 54: 00:09:19,920 – 00:09:42,230

And tonight we have the poet. We have the poet. Poet is not a proper reflection people. So you saw the words of the prophet. Now, let's bring the songwriting up to a higher level. Let's judge it. Let's put them under the fine hour glass. Oh yeah.

Section 55: 00:09:42,240 – 00:10:25,190

Take off all the clothes. And look at it. We have the lyrics. Bring up Joe. Bring up Joe. We'll see if it works. Joe, we're in and out. [gasps] Joe, welcome to Lady Babylon. Hi. How you doing? >> I'm doing well. This is the greatest moment. Oh my god. I'm so happy to finally meet you face to face. Um, it's a huge privilege for the congregation to have you here with us tonight. So, I'm going to get to the serious questions. >> Yeah. >> Right away. all of the things that you

Section 56: 00:10:25,200 – 00:10:41,750

Know somebody from our perspective and this is for satanic congregation. Um I just want to say Joe uh what an incredible delight it is to be able to do this. So um thank you for listening

Section 57: 00:10:41,760 – 00:11:18,577

To her. Right. So people I wanted to make sure you knew that Joe did not write this album consulting me. He was finished and produced with it and was putting together the finals and sent it to me and blew my brain out. It took me a week. It took me a week to catch up mentally with what was happening. And then I got serious and I said, "This is real. This is absolutely real." So, um, Joe, I want to put your lyrics up. We're gonna look at the song tonight

Section 58: 00:11:18,587 – 00:11:19,430

[snorts and sighs]

Section 59: 00:11:19,440 – 00:11:44,230

On Soot Terra the she savior. Oh god people and it's even something you might not know about the title is [sighs] the reason there is no I there is because it is Dorian and we are talking [clears throat] to you from the volcanic island where media gave her Dorian

Section 60: 00:11:44,240 – 00:12:15,350

Oracles. A god. Ow. It's gorgeous. Let's look. I'm sorry. I'm so excited. Joe, you gotta chime in here and I gotta go take some kind of depressant or something. You know what I mean? >> Yeah. Yeah. Yeah. Um, so we were working on an album before this and um it was um a little more not as heavy and uh kind of exploring

Section 61: 00:12:15,360 – 00:12:47,590

Things. We were kind of we had three new members in the band. So, um, we were taking weekends doing these Connecticut trips into the studio to like kind of just write together and jam out and just understand each other. And so we came up with some ideas and um they were really good and was really feeling it and uh but I didn't have a focus and normally all our albums have some sort of concept and um

Section 62: 00:12:47,600 – 00:13:10,629

And so I was kind of you know I was wandering around just not knowing what this was going to be and we um we got about three three tracks that we were like album worthy and some other ideas. And then I um come across

Section 63: 00:13:10,639 – 00:13:31,350

The interview, your first interview with Danny Jones. And then um and then I was just blown away and and obsessed and and and took like probably 6 months after that just or maybe I don't know how many months, but it was a while of just

Section 64: 00:13:31,360 – 00:13:58,230

Watching everything. I watched all the videos on Lady Babylon. I I found every interview I could find. I could just honestly just to really to see if this was a real thing. Like it I was just so beyond belief to me. And and after all that, I was like, "This is incredible." And it kind of changed me. And I was like, "Okay, well, I don't know if I can write it about anything else right now. I have to just write about this." And so we kind of, you know, put those other

Section 65: 00:13:58,240 – 00:14:27,670

Songs to the side. Um, and I was like and and I and I had a whole idea as soon as soon as I was funny. I never even thought about writing about this. I was just obsessed with the interviews and listening to to you speak and the translations and I I had no inkling that this was going to be an album. And then all of a sudden, like an idiot, I was like, "Wait a minute. I've been wandering around thinking looking for something to write about and it's

Section 66: 00:14:27,680 – 00:14:54,710

Right here." And I was like, "Okay, well that was it." And as soon as it hit, I just flooded. I was like, "Oh, here we go." And all of a sudden, music started coming. I I had ideas. I was like I had some older ideas from a long time ago that I'm like, "That's I've been sitting on this thing for like 15 years." And I had nothing to do. I was like, I I was like, I'm never going to use it until um this it came into my head. And um and so

Section 67: 00:14:54,720 – 00:15:30,310

We started rewriting and rewrote the whole album um probably I don't know how far after that Danny Jones album but pretty much or the Danny Jones interview and then yeah we just rewrote it and um and so I just started writing songs and just started it just started coming and uh and yeah and really just it happened pretty quick. I mean it's a long obviously was long because we between albums but we were busy with life and stuff so really but actual songwriting for this for Sautera um happened pretty

Section 68: 00:15:30,320 – 00:15:56,310

Quick um very inspiring >> so so yeah so as soon as soon as that happened we um we it started to flow and and >> can I just say joke I'm sorry to interrupt sorry to interrupt can I just say um now do you understand congregation how blown my mind was because I didn't see this coming right

Section 69: 00:15:56,320 – 00:16:20,629

I didn't see it coming [clears throat] and to have some poet march in with musicians that were as soon as I listen he said here's the album you know you can listen to it if if you'd like to and I was completely the through the first half of the very first song I was completely flumxed. I was flabbergasted.

Section 70: 00:16:20,639 – 00:16:54,550

It was reality coming through this beauty. And I was I'm completely I'm completely overwhelmed. Joe, I just want to tell you that that's the effect of your music and it's not only Almond that's getting overwhelmed. So Joe, keep going with Okay, now you've got the things going. Now what happens? >> So I mean I guess a little background. So when I write music because I think you you know you were asking me in an email about it and I was um and the process is um

Section 71: 00:16:54,560 – 00:17:13,909

The way I write is I generally do I start out with generally like a chord kind of singer songwriter like chord progression humming melodies kind of have exploring things that move me. Um I don't I generally don't start with um

Section 72: 00:17:13,919 – 00:17:45,190

Lyrics ever. Actually lyrics are the last thing I I think about. I know what but the problem is it's it's it it bookends. So it's like the intention um the intention is there so I have to have a focus and then and then I I worry about the the the lyrics and everything kind of towards the end because I want to keep the mu the music is where it becomes the music is the most important thing to me. So if I don't want to limit that and I saw some people who can do

Section 73: 00:17:45,200 – 00:18:10,630

That I think it's impressive when people write out lyrics and then they can shape a shape a song and shape the music around that. I think it's incredible. I I can't do that. So, for me, chord progressions are everything. A a a riff, a riff, and then a chord progression. Something something along those lines starts it out. And if I find like I I call like trying to find the soul of a song and if I find it and it fits because sometimes I find I write

Section 74: 00:18:10,640 – 00:18:39,669

Something I'm like this is great, but it has nothing to do with like Sotera. So, wouldn't I would put it aside and maybe save it for later. [snorts] Um, but for this I was just like I knew immediately this works, this works, this works, this works, this work. It was like down. I had it. I started writing chord progressions for this. I wrote the riffs for, you know, Summoner that came and then the Oracle and it just kind of just h those riffs just started flowing.

Section 75: 00:18:39,679 – 00:19:15,990

And then um and then I would just build and I start building these songs and I and I'm not I don't stick to structure like hardcore because I I know structure will change with a band. So I basically will write like I'll write a c chord progress like the chord progression for choruses and verses and your basic song structure and sometimes sometimes it flows and I have the whole arrangement done. Um, so Terror was I did a lot I had a lot of that done. But um, but the unique thing before it was just me and my drummer. Um, for the last album we

Section 76: 00:19:16,000 – 00:19:46,789

Wrote everything and I wrote everything at home and sent it to him and he wrote his drum parts at his house. So we actually lived in two different states. Um, but for this album we all live within an hour of each other. So uh, it kind of flowed a little faster. So I'd have this inspiration. I'd have the song. and have the rough, you know, verse, chorus, verse, bridge kind of thing going and then we could bring it into the room and um and then we'd be able to just play it. I I email

Section 77: 00:19:46,799 – 00:20:12,870

Actually I email them the parts because I write every look, [snorts] I write everything knowing that not everything's going to that I write it's going to change or it needs to move around. So, I send them a rough idea so when we get into the room, we don't waste any time. So we have something that we all can play. And so we get in the room, we start playing the thing I wrote and then we played a bunch. We just keep playing it and keep playing and then we and then Dana is really good at arrangements. So

Section 78: 00:20:12,880 – 00:20:45,350

And he's a drummer, so it's kind of a natural thing for him to um to know what the flow of things. He feels it, you know. So So then we just do that. And then essentially this this process happened pretty quick because I had I had a lot of the songs came to me fast and then we could go and the same week um try them out and um try out the the new idea and then decide if it works and if it doesn't work move on. But most of almost everything worked. And so we got

Section 79: 00:20:45,360 – 00:21:09,510

In there and I got back to the the house and I record everything so I can listen to it and and and see I'm like, "Okay." And then I'll adjust the demos I have based on what we did in the room. I'll try to record Dana's drums so I can put those back in the demos. And then we just kind of build it from there. And it's a faster process that way. So the album happened pretty quick because we were so close to each other. Um, and uh,

Section 80: 00:21:09,520 – 00:21:35,990

And then after that process, once I have the lay of the land, like basically I do about 40 to 45 minutes worth of music that I feel like takes you on a journey. That's the other thing. Like obviously you can have you can frontload it and have just the wall heaviness. And I I don't like those kind of I like I like and I like you to go somewhere the I like dips and and the roller coaster ride of an album. So, so once I feel

Section 81: 00:21:36,000 – 00:21:54,390

Like I have that song and it it's roughly around 40 minutes, I'm like then I'm like, "All right, now let's go. Let's start work. I have to work on the vocals, which is basically a whole another album." So now I'm like, "All right." And while I'm writing, no chorus, no verse, nothing will ever I'm

Section 82: 00:21:54,400 – 00:22:26,549

Always thinking about melody. Melody is the most important thing to me. It's like progressions and melodies are like everything. I think I I think lyrics are incredible, but for me that's what that's the thing that like moves me and I I I feel that that's comes from somewhere else. And then then when that so as we're as we're moving on to the lyric the the vocal part which is the pain, but as I'm writing I am humming things. So I do have roughs of like I'm going to this is the melody I

Section 83: 00:22:26,559 – 00:22:55,750

Really think moves and I know what the song's about. Like I know this is going to be about, you know, uh, Initiatrix is going to be kind of a a seductive kind of thing, but calling her wanting, like there's a a wanting there. And so I I have an idea and then we and then I just I kind of go in my hole for a while and the guys don't, you know, they don't know what's going on for a while. And I just I I my process with vocals is I've

Section 84: 00:22:55,760 – 00:23:17,830

Listened to Almond so much that um that I wasn't too worried. Like I'm I get pretty obsessed. Like when I say I've listened to I've listened to everything and so I know it's in there and I have a thing where if you um if you relax your conscious self and let your and subconscious

Section 85: 00:23:17,840 – 00:23:48,710

Do what it does, it will it it will work it out for you. And and and you can call that whatever I say subconscious but it could be the muse. I mean whatever it is is working without you even knowing it. So lyrics just ca like for the album the lyrics came pretty quick and I just did it and I kind of do it. I really I'm a I can't I don't smoke weed really, but I do drink and that's kind of helps do like I'll get into emo I'll I'll I'll

Section 86: 00:23:48,720 – 00:24:16,149

Do dullle my senses a little bit so I don't get my own way and then I just start I start recording vocals and I just start recording and I sing them and then obviously there's some you know you know you have drafts and stuff like that and you kind of rework it but most of the lyrics I got to be honest they just kind of happened and they were the right ones the first time around which was pretty it happens. It happens. Um, it happens to me all, you know, not all the time, but that does happen, but not as

Section 87: 00:24:16,159 – 00:24:41,909

Much as this. This, this was a little weird. And so, it came through. It happened. And, um, and then really, I think, uh, Lucifer and, um, and, uh, Cyian were the only ones I really were like, I I need to nail this because there's a story here. And so, I wanted to work. And those are kind of the hard ones for me. But everything else kind of flowed eerily. Um, quick.

Section 88: 00:24:41,919 – 00:25:23,990

>> That's funny because Lucifer and Syian are my favorites and Chewies, too. Um, and that's a perfect chance for us to jump into the lyrics that I want to put up against the prophets, you know, words of, "Hey, you're producing crap, people." No, it's right here. It's the first It's the second slide. You don't have Yep. There you go. People go up to the top there, Chewy. And this is Lucifer. Let's see the title at the top, please. And I want people I want us to actually look at the lyrics and kind of analyze them like they would a thousand

Section 89: 00:25:24,000 – 00:25:43,269

Years from now when they're saying, "Well, what artists influence the New Enlightenment?" You know, when they tried all the pedos and set things straight about not killing children, what started that enlightenment? Well, there's this work called Lucifer

Section 90: 00:25:43,279 – 00:26:05,269

And it says, "Darkness is grown from the hearts of men. They roam and raid the picture." That's a pretty dark picture, isn't it? Then what do they do? They drain the sage. They'll drink her down, then stumble to their grave. Stop it right there. Um,

Section 91: 00:26:05,279 – 00:26:12,310

People, can you smell that poesque

Section 92: 00:26:12,320 – 00:26:47,190

Perfume that is permeating this work, you're going to get this. I want to ask you this question, Joe. Why is it that I feel Edgar Allan Poe when I'm reading your lyrics? >> I don't know. I mean, we we talked about that he was down the uh he so the town I lived in that we always had these uh it's an old town and um and he he would visit his I don't know I think it was his mistress there and so there's always stories of him wandering

Section 93: 00:26:47,200 – 00:27:22,630

You know drunk through the streets uh causing you know chaos and so uh I don't know if that and that was down the street from you not not where I >> it's yeah it was down the street for me and so like maybe that was them there could be something there I don't know >> I want to I want to know um the dark setting that you have set watch people what happens lyrics again chewy watch what happens people so this is macob it's already a little bit macob cuz look

Section 94: 00:27:22,640 – 00:27:45,674

What what was just said about all humanity it's not very bright right there a bunch Vaci roaming around raiding She fueled the pers in a lightless age. A spirit cast by flood and flame. She sourced the source. We Satiate. Oh God

Section 95: 00:27:45,684 – 00:27:46,950

[sighs]

Section 96: 00:27:46,960 – 00:28:24,070

People, who is this that we're raising? That's what I want to ask you. Who is it that Joe through his poetry and his group is raising? I'm and I'm I'm going to I'm going to propose to you that for whatever reason just maybe it's just because Po and Joe are in the same frequency, right? And they have they both have the muse. Maybe that's what it is that you're seeing manifest itself. But even in the people who have been who have been giving you reviews, Joe, even in those people who

Section 97: 00:28:24,080 – 00:28:46,950

Have been giving you reviews, >> I'll be back. >> Oh, >> I'll be back. I lost you. >> Good. Okay. In the reviews here, put up what? Put up one of the reviews. Well, he's out because I want him to read this when he gets back. Uh, right there. Let's start with that one.

Section 98: 00:28:46,960 – 00:29:14,789

I'm back. >> Yeah. Go ahead. Okay. So, people look at [clears throat] before we continue the lyrics and kind of celebrating and I want congregation to be able to talk about it. Look what this reviewer says here. So, Terra unfolds like a ritualistic energy transfer. You see what I'm saying, Joe? When I say it's got this post smell to it, you know, there's something kinetic like

Section 99: 00:29:14,799 – 00:29:48,160

Crackling through the atmosphere of your lyrics. That's what it that's what it I think that's what's being recognized here. The opening songs, Disciple and Oracle, are characterized by radiant singing at top a swirling undercurrent of guitars, which periodically take on a harsher edge. But as the album advances, most of its melodic power transitions from vocals to guitars. The Okay, I don't want to read about servant because that's what I I'm say. Okay, I'm not here for that, right?

Section 100: 00:29:48,170 – 00:29:49,029

[laughter]

Section 101: 00:29:49,039 – 00:29:56,675

I'm I'm here for the Okay, Joe, what I'm asking you is look um in the process of

Section 102: 00:29:56,685 – 00:29:57,350

[sighs]

Section 103: 00:29:57,360 – 00:30:23,830

>> In the process in the process of Oh, did you Okay, >> one more time. He keeps. It's the ghost. Oh god, the demons. It's those Taylor Swifty Blow them up. We have one right there. Show them that. Blow them blow them up, people. Every time Every time we get interrupted, a Swifty loses her sense of being

Section 104: 00:30:23,840 – 00:30:55,190

Poof. Rise people, you had it coming. Bring back up. Rise. Bring it back up. Joe, we just blew up. >> I don't know what's going on. My My sound keeps cutting out. >> I think you've been cursed by >> I don't know what to do. >> You've been cursed by the Swifties. >> Oh god. >> You You've been cursed by the Swifties. >> Chewy, why don't we >> Oh, yeah. Let's play the video, people. While Joe is coming in and out. Let's blow up uh Swifty when we're done, too.

Section 105: 00:30:55,200 – 00:31:28,870

Go ahead, Satanic Congregation. Get your questions ready for Joe. I want you to be able to ask Joe questions, satanic congregation. So, get your questions ready. When I tell you, start throwing them up. We'll pick some. Right, Joe? Can you hear me? >> I can hear you now. It's It might cut out. I don't know what's going on. >> Okay, we'll see what we can do. But it's been great to have you here so far. Chewy made a video, Joe, and um with Lucifer, and it meant means a lot to her to be

Section 106: 00:31:28,880 – 00:31:48,026

Able to show you. So, hit it, Chewy. Let's Let's see.

Section 107: 00:31:48,036 – 00:31:57,852

[music]

Section 108: 00:31:57,862 – 00:32:10,710

>> [Music]

Section 109: 00:32:10,720 – 00:32:27,830

>> Darkness [music] is grown in the hearts of [music] men. They roam and ra [music] then drain the sage.

Section 110: 00:32:27,840 – 00:32:44,389

They'll drink [music] her down then stumble to [music] their grave.

Section 111: 00:32:44,399 – 00:32:52,389

She filled the hearts in [music] a lifeless age.

Section 112: 00:32:52,399 – 00:33:05,029

A spirit [music] cast by blood and flame. [music] She source the source.

Section 113: 00:33:05,039 – 00:33:10,557

Be [music] satiated

Section 114: 00:33:10,567 – 00:33:19,727

[music]

Section 115: 00:33:20,559 – 00:33:34,138

Shore. She laughs last [music] as she s the storm. Heat.

Section 116: 00:33:34,148 – 00:33:36,789

[music]

Section 117: 00:33:36,799 – 00:33:41,343

Heat.

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[music]

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Heat.

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[music]

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Heat.

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[music]

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Yeah. Heat. [music]

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[music]

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>> [Music] >> Heat up

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[music]

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Here.

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[music]

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>> [Music]

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>> The heaviest flow [music]

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I see the truth

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[Music] will swallow us home.

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[music]

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It's time to drive.

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[music]

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>> [Music] >> Heat.

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[music]

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Heat.

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[music]

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>> [Music] >> Heat up

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[music]

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Here.

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[music]

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>> [Music]

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>> Heat up [music] here.

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[music]

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Oh man, I lost you again.

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Hold on. I got to reset. Sorry. Am I mute? What? I don't know why it does that, but

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[laughter]

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My my audio just keeps cutting out. >> It's the curse of the tay. I will zap one. I will zap them one for you. Now, Joe, um, let let us know what you think about >> that was awesome. Yeah, Chewy, that was great. I mean, it's so incredible like what you can do with AI and [snorts] Yeah, it's it's so cool. I mean, it's so funny because you can in my head with writing like the shorelines part or that's kind of what you see like in my

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Head I'm seeing these things and but you can actually um just put them up. I mean, how how long does that take? I'm know I'm I'm using a little bit. I'm not a pro, but um how long would something like that take to make? >> A Sherry said a long time. Yeah, it must be. It [laughter] has to be cuz I've done like a little snippets of it like a 3 seconds and it still takes a while. Yeah. >> You know, it's um she's often times

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Talking about the fact that you have to teach the AI what it's looking at. So, if you want it to >> appear if you want somebody to appear to be sucking something, then you know, you got to include a meal or something. There's got to be something for it to in order for you to fly around any sort of parameters cuz it's like having a guitar that somebody has put a lock on three of the strings or something. You know what I mean? >> Yeah. >> But thank you Chewy for doing that.

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>> Yes. Thanks Chewy. That's so cool man. I love it. Joe, I wanted to say I wanted to say there are some themes and motifs that are going throughout the song that you hit. Put up the lyrics again for Lucifer. Put it down. And this part right here, particularly to me, if I am a student,

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[sighs and clears throat]

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We are the ones we own the dawn, right? We are unrest. And it's a it's a little bit of a contrast there. All of my mind was in peaceful dawn, but I realized that we are that unrest. It's that spirit. It's almost a bachic spirit that you've infused and you're giving people directions. Hold on. Hold out. So much through so that through this song you progress to where you get to Cyian being perfectly loaded to be kind of the instructions of the people you know what

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To do. It's I mean is this I guess my question here is is this a religious experience that you're talking about? I think it's I think it's Yeah. I think there's a I I what you describe and what you translate and what you you show us it really like um gets my brain working. I know it gets a lot of uh Lady Babylon people working. I mean it's it's it's incredible. So you you hear it and then you just I just run with it. like there's nothing I can I can't not think

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I think of it all the time like it's just it kind of just becomes part of you and so yeah in that way where you're changed from it. Yeah. I mean a religious I don't know I don't know I've never had a real religious experience except for music. So um and music was an is an obsession. I I can't haven't stopped. I've been doing this my most of my life and and I I can see this information becoming the same part of my

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It's it's going to be part of me. So, and I I think you and then with it, you see it, if anything, the juxtaposition against what's happening now is even it makes it even more intense because you you you see where we're at um in the world and we're and and and how tragic it is. And that's kind of Lucifer's. It's it's tragic. It's sad. And I wanted it to be, you know, empowering, but also there's sadness there. And um and I think the album most of the songs are

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Are very much you know um optimistic um bringing her back trying to bring her back >> and and then I think you know Lucfair is a sad one. Cyian is a a kind of a way >> hang on hang on Joe you say she brings the storm a couple of times in the album. You you talk about this and in Lucifer you coupled it with this kind of really haunting these voices and this kind of dark gloom that's the spirits

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Are foroding that's in there and at the same time it's almost like we're standing in the dark and we're waiting for the dawn and you have this darkness around you. Were you aware when you were lyricizing? Were you aware that you you're making those contrasts? Is that what you're talking about with like harmony? Is that how you're >> Yeah. Well, basically I for Lucifer and um and Cyian both I feel like they're more stories. So, I I wanted to start out with how the darkness, you know,

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Obviously we see around us, you know, the darkness in the hearts of men and and and I kind of wanted it to to to flow into something more optimistic, but still sad because it's, you know, we've been obviously um we've we've put down

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Women for so long that like I don't think we truly understand as and just as a society in general that we we've just harmed ourselves for so long and we're so used to it and we're so just hurt and we don't know we don't understand what's wrong and for me there there's a tragedy. So whether it's I I I put it in one, you know, whether it's in media or whoever, but I feel like that song was just representing women to me in general. And so um I felt that that was um

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That was yeah, it was just it it kind of I wanted it to turn optimistic. My whole thing is I always there has to be it's dark and it's dark and it's dark but it has to always have some light in it no matter what. Even though very rarely I write something that's just like you know doom and gloom but um there always has to be light there. And I think that is where the course comes in. And and I feel like we I'm stating the obvious, but I'm also

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Saying, you know, you know, there's it's empowering. Like there's nothing that can't be changed because we are we are the thing. Like we all are like we're all part of this um this world. And I

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For whatever reason half of this world we we we want to bury and not want them to be apart. And I don't I don't I've never understood that. And so yeah, so I think it Yeah, it's a it's a I I really love that song. That was a really when I hit when I did when I when Lucifer came to me, that came to me really quick. Like the music was like literally within I would say 15 minutes. I had pretty much most of the song written. It's not comp

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Overly complicated song, but like I had I had it and I was like, I think that's it. And I was like and I pretty much brought it to the guys and I don't think we changed anything. I think that's pretty much what I brought them. And um I mean they added some flourishes guitar-wise, but and then the lyrics were the hard part because I knew what I wanted to do and and it was Yeah. And that was that balance and that was the hard part was trying to find out, you

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Know, the darkness but still be optimistic because my honestly when you go down there oh writing these lyrics and then going dark and it was just like really depressing just thinking about like using just the sadness and the amount of horrific things we've done to women. It's like holy crap. And so you just that weight I was like no I can't I can't get I I don't want to drown in that. So, um, so yeah, I still had to have, uh, some sort of a little bit of empowerment in there, um, to give hope,

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But [snorts] yeah, that was a that was a yeah, Lucar was was a was a tough one. Uh, it was a was a heavy one, I should say. You just described inspiration in so many words. And to watch it happen, and when it happens, why is it always that way? It's just easy. It just slides out like >> this is how it's you're not trying, you're not forcing it. It's just here comes the voice. >> Yeah. If anything, it's too much. Sometimes you get too much stuff coming

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At you. So like for Lucifer, I had so many lyrics. Like if you see the lyric, I had so much. And so I'm like, but now I have to like pair it down because I only have whatever four minutes or a five minute song, whatever it is. So I'm like, I have to pair it down. And I And then now I have all these lines that I'm like, I love that line. I love that line. I love that line. But you're like, well, what's going to get to the what's

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Going to get to the heart of it? And so, you have to just like really start eliminating. I mean, that's main if anybody's writ,

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You know, uh, Orion likes to say it's like it's killing your babies. You know, you just you you you create this thing and then you have to like, nope, you got to cut it. It's gone. And I know you're awesome and you were great and I think that you're powerful, but the bigger picture, you got to step back and you got to see the bigger picture of what's the overarching thing. And that that thing doesn't fit. If anything, it might be it might relate to some Cyian thing, Some Cyian mentality of of of creating,

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[laughter]

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Creating, getting rid of things. But whatever you get dark with it, but like it is there is an art to everything like that. There is a editing. Their art is in the editing. like yeah, you learn that pretty uh you learn that pretty quick. If you want to become a really good songwriter or a decent songwriter, you don't have to be really good. You just be a decent songwriter. You just have to know how to you have to learn to to you just have to let the good stuff

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Go. Sometimes some some of the things that you really love and you just got to step away. And sometimes the best way to do that is just wait like >> wait a wait a couple days and then listen to it again and then um and then you'll sometimes you'll know it. Weirdly enough sometimes I'll put a song and I'll I'll put it on my phone and stick it in the other room and shut the door and listen to it because it's weird. Then I hear it and I'm like,

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"Hey, that doesn't I like that." But for whatever reason, in this weird this this bizarre scenario where I'm hearing it in another room, echoing through the hallway, that that part really bothers me and it doesn't fit. And so I do that. So there's a Yeah, there's a lot of weird stuff. I mean, I do all sorts of weird stuff to try to get there, but um >> it's it's amazing to hear from the poet's mouth exactly how the process works. Look, Joe, people call you or they talk about Junius and they talk

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About your style. For those of us who just kind of are here as students, um c can you tell me what shoe gaze is and how the critics are looking at your style? where are they placing you on that, you know? >> Okay. So, so with all that stuff, so I think the shoe gaze thing, shoe gaze is popular right now. It's having a a resurgence um with [snorts] I don't know what it is. If it's Tik Tok that's bringing it back, I don't know. But there is a resurgence. So, a lot of the bands, the shoe gaze bands that we've uh

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You know, that came out in the mid 2000s uh like 2005 or whatever haven't are kind of blowing up again. And shoe is is uh it's like my bloody valentine. It's like one of my favorite bands and um you know, Slow Dive and Ride and you you just name it. My for me uh there's a My Blade Valentine's it for me. Um that's the one I always try to include some sort of My Bloody Valentine uh vibe

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Somewhere on the record if not on every song if I could. But um but yeah. Yeah, it's shoe gaze is um it's just a it's it was a derogatory term in the '9s about these like bands that would stare at their shoes and play and be kind of, you know, a wash a wall of sound. It was kind of like a wall of sound and it was a it's I think is a British uh it was started as a British term. So, I don't know. I mean, I don't know the the whole

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Origins, but if you're into bands like, you know, My Bloody Valentine, you know, Slow Dive, right? I mean, there's other bands out there that are >> um, you know, descendants of that, like Alcest or you name it. There they include those kind of elements. Uh, so right now influence, >> yeah, we have it. We've always had it there. It's it's there in every in every album. Uh, I wouldn't say we're like a total shoe gaze band at all, but um that's an influence. So, it's going to it's going to peek its head out. So, it

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It's it's there for sure. >> So, it's you can say >> I lost you again. Sorry. >> Okay. Yeah. Reamp yourself. >> You can hear me though. >> Yeah, I we can hear you. Yeah. >> Oh, no. That stinks. [laughter] I I can't hear you. I'm gonna reset. Sorry. >> Kill a swifty. Go ahead. [laughter] Show it. Show the killer. Death of the Swifty for the people. People, this is what happens when you lose it entirely.

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Judgment. Judgment comes little swifty bow right into a giant heart. You know what you can do with that dust? You can Oh, sorry. Joe's back. Let's >> Joe. Um uh the so the critics will or the you know people who are reviewing it studying it they'll use a term like shoe gaze and whatnot but is that basically indicating your influences like are there certain >> Yeah. >> you know artists that you pull just like any author from antiquity. >> Yeah. Totally. Yeah. It's like the way

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You can pick out um different types of uh writing styles that you're like, "Oh, I actually think this person wrote that." Not, you know. >> Exactly. So, who are your influences? >> So, influences, I mean, it's so many. Um, but we I would say on Junius that started there's some bands um like My Bloody Valentine, there's a band called Bed Head

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Influenced me growing up. It's actually, which is funny enough, they're they're kind of a early 90s slow slow core band. I don't know what you want to call it, but I guess they'd be early post rock, whatever. These are all names that are silly, but um they were big influence growing up. And then uh probably

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Then uh there was a band called Failure um that really kind of changed everything for me cuz they did concept. They did like this album called Fantastic Planet and it was like an amazing concept album and it's I think it's one of the greatest albums ever written. So that that was a big one that changed me a lot. And then uh hum downward is heavenward was a big one. Um that one uh was another like vibes so many vibes. And then um and the guitar work on that downwards heaven was an incredible album. Um, and I think as

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[Snorts] and then as I'm trying to think and obviously vocally I I you know I'm from the I'm I'm an 80s90s kid so uh I had a lot of you know obviously the cure to pesh mode you name you know the Smiths I was into all of that you know half a hollow was one of you know early early records I got and then Um,

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[snorts]

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I'm trying to think. I mean, I I'm a I think vocally it's different. So, like I'd say that's more 80s and then I would say my music musically is definitely like a little more '9s. Sho, there's a shoe gaze, my bloody valentine, the failures. Um, I de tones for sure. Death Tones came after, so I was already in failure. And then and then I heard Death Tones and I was like, "Okay, well these guys are on the same um they listen to the same stuff that I was listening to.

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So I immediately loved them." And then Sunny Real Estate, I mean, I could go on. There's so many bands I could go on, but my but Dana drumwise, he was he's in a band called Hot Water Music. And um and he and he was really I actually showed him Dev Tones. deaf tones because of the drums were incredible and so he he he was really blown away by that. But yeah, Dana has that. I'm wondering if I can hear you. Can you Okay, there you go. All right.

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>> Can I just say that the drums and Cyian are >> uh I mean it's just to die for. It's, you know, it the Bak spirit and say a little something um about Dana. Uh just I know that he's been there with you. >> Yeah, I've known Dana. >> I've known he was the first. So when I started out um I dropped out of college and moved to Boston and uh I started a band and I basically would put flyers up everywhere looking for a band while I

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Was working some shitty retail job. And uh and so I put flyers up and I had like basically what I told you I just said. I I had that on a a flyer. Five bands. My Billy Valentine, you know, uh failure or whatever. Sunny real estate. I had all those right there. And there was this really obnoxious flyer that was like bright yellow and it listed every band you could think of. It was just full of letters and I just put it next to it and I put it next to it all over Boston. I

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Was like, who is this dude? I just like he doesn't know what he wants to be in. I can't be in a band with that guy. So, I get called to like come try out for a band and and then uh uh it was a it was a guy and he wanted to league guitar player. So, I tried out and he liked me and whatever. And so, I joined this little three-piece and um and it was Dana and Dana. I was talking to Dana when the guy other guy was uh not around

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And he was like, "Yeah, man. I flyed everywhere. I was just looking for a band and I just put my flyer up and was like, "Oh, me too. What was your flyer?" And he's like, "Oh, yeah. It was bright yellow. I wanted everyone to catch, you know, you know, catch everyone's attention and and I put all my, you know, p it was all punk bands and stuff like that. And so it was so funny. We were literally flying all over Boston, not calling each other cuz we did not,

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He didn't know any of the bands I had. I didn't know any of the bands he had. [snorts] But then once we were in the room together, um, I was like, "Oh, yeah. No, this is" And then we'd hang out and I'm like, "Oh yeah, I guess he's this is going to be my drummer." Like there was no issue really. We had to get rid of the other guy. So I I wrote a song and uh he liked my song better and we kind of just started our own thing

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And that was you know 26 years ago. That was a long time ago. We were So >> is there band chemistry with like when you and Dana come together was there you knew right away >> that you know this was a match made in heaven. Is there some kind of >> kind of chemistry thing going on there? >> Yeah. Yeah. I mean, do you just when you get into a room with somebody that I think a he was just a great drummer. He was a wild drummer. He was like now

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Dana's a machine. Like he's a robot. He can play perfect. But there he had more express and I really enjoyed the expressive part of Dana and his drumming. It was just he felt it. He live and it and it connected and I connected with him and it but ultimately it's just there's just you'll meet him and when you do you'll get it. Like Dana is a very loved guy because he's just a very kind person. So when we hang out, it was just hanging out with like a you know a brother,

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Family member, you know, it was easy and we just literally just it was like that. And I lit I he moved me once we were like we're going to be in a van together. He moved me out of a a whatever where I was living in the in not in a great area. And so he moved me out and I lived in a room with him. Tiny room on I was sleep sleeping on a couch. He was on a bed. I could literally reach over and we could hold hands. That's how

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Close we were. Um and that's where we started demoing and we lived in that room because I was broke, you know, working in Boston um making no money. And we just we just started rehearsing and practicing and trying to get right and figure out who we were who what what we were going to be. And um it took a while. Um but we spent a lot of time together and eventually I got my own room, but honestly we were living in the same room for probably a year. Um and yeah, so that bond kind of happened and once that happened everything else kind

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Of falls into place because that that's the thing. I I knew I could do everything. I just can't play drums and I needed somebody who want who was inspired, you know, and it's hard to find. Inspired and good work ethic, inspired and a a good hang. Those are like all you need. That's it. If you can if you if you can find somebody with like kind of those characteristics, you're you're good. And you have to have ambition. You have to want to do this. It's not easy. So, um

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>> So, you you and Dana are the core. You're the you're the core of genius. And now you've attracted three talents, Matthew, Orion, and Owen. Tell me how that how that works out. Tell me about that chemistry now. >> Um, yeah. So, Orion I've known almost I've known I I funny enough can't I won't tell the full story, but Orion was playing in the basement and I was I heard him. I heard his band. And this is when I was with Dana. I was uh living

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With Dana across I had my own room at this point and he was playing downstairs cuz we have house shows all the time and we'd have bands from all over um the world come play our house. It was just like on the cir there was like a anyway there's a whole underground house show circuit and we were one of the main houses in in Boston and so they would play they were playing downstairs and I went down and um met met him because I was like their band's good and um we

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Started hanging out and I think Orion was like I want to say he was like 18 I don't know he was he was he was a teenager [snorts] and um and so we he didn't join our band or anything but he was in a band that then we started um playing with. So we had our our group our we had like a handful of bands that kind of played Boston and started touring um regionally and so he was one of them. So I've known Orion forever

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Too. And then um so he when he moved um closer uh to us, he moved up to um Boston, we I was like, "Hey, we need a bass player." And so he's like, "Hell yeah." So we he joined. That was easy. I mean, I've known him forever. So that was no big deal. And then um and then Owen and um Owen was through Dana's work. And so Dana was like there's this young kid that was like really, you know, he's in a band and um plays music

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And Dana's like he liked him. That was the thing. If you don't, it's really more personality than anything. And it just happens that Owen's a really good guitar player. So, um, he like sent me a demo of him playing guitar. Um, and or just him playing guitar literally on a break from work and I was like, "Hey, he looks like he can play really well, so hey, let's have him come in." And he came in and fit right in. And then um and then he I think he recommended Matt

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And Matt because his played with Matt. Matt's been in bands around Boston and the area um for a long time and um and he it's you know Boston's kind of close so I think there's other connections there but yeah so then Matt joined and um and everyone just got along. I mean, honestly, every you'll see. I mean, everyone's um very chill and we just want to laugh and hang out and play music and um

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And uh we all and I think we all have a really good work ethic. I think that's the other thing, too. We all we're all um hard workers and I we want to get things done and that's a big one. You have to be a maintain a professional approach, don't you? You have to >> Oh, yeah. >> Yeah. This is not >> go off the rails. Look, and don't get me wrong, like B, we've been friends with bands who are chaos and chaotic and their live shows are incredible and they

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Can bring people but and do well, but they don't generally last that long. Um, cuz it's the chaos, [snorts] you know. I mean, you obviously we all know about the bigger bands that have the the conflicts and stuff, but really at the level of starting out, if you don't if you can't just like if you can't get along, uh you're not going to make it very you're not going to last. And so, luckily, you just >> you got to find people you connect with, you know.

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>> So, no douches in the group, right? >> That's no douche policy 100%. >> Excellent. Okay, I'm going to come I'm going to come into your presences then um very humbly. You know that Joe, you know I'm going to come in with a tremendous amount of respect because um and that's one of the things that I told you before that I don't want to interfere in the artistry

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Of what you're doing. I don't want to take something that's 100% and knock it down to 98. I don't want to do that. You've got you've got perfection. And the first time I listened to the entire album, um, I said, "This is glorious perfection." And, um, be make like a physician and do no harm. You know what I mean? So, I'm coming as a witness and as a student of your band, and I'm going to be documenting it up here and along with Chewy on live episodes and whatnot.

Section 209: 01:04:24,160 – 01:04:47,459

And it's fascinating to me. And um I've been given a golden ticket. I feel like that Charlie kid. I've been given a golden ticket. And so I want you to know and the entire band to know that I come to you with the utmost humility and respect and just a little bit of fear for the size of Dana's feet. So

Section 210: 01:04:47,469 – 01:04:48,710

[laughter]

Section 211: 01:04:48,720 – 01:05:15,510

You should fear them. Yeah, they're they're no joke. He's uh and just [laughter] and hey and everyone so some people commented he plays he doesn't have a double kick. So for drummers he he does it it's all one foot. He can do double with one foot. So he's like the [laughter] he has a he has a monster foot. So yeah I would be I would fear that those feet 100%. >> So >> he's a Hercules man. I mean he actually looks right there in this [laughter]

Section 212: 01:05:15,520 – 01:05:43,029

He looks like the statues of Hercules that I've seen in Greece. Yeah, it would be funny. He Dana was Dana would do do this thing where you don't realize how strong he is. And so >> um Well, you I mean you can see it, but you don't realize it. And he literally used to pick up pick up our old bass player and like just pick him up and like do like pull. Yeah, it's great. Like deadlift him easy. Like no, he's just like one of those guys that just

Section 213: 01:05:43,039 – 01:06:08,789

Has is very very strong. So uh yeah, he is herculane for sure. Once once I get there, please tell me what what I need to do to get on his good side right from the start. >> Oh, you're on his good side. You're fine. You know, the problem with Dana is here's the thing. He's a good backup. So, like we've been in some scuffles on the road. You know, we've had some, you know, not too many fights, but we've had to have some uh there's some Berlin bar

Section 214: 01:06:08,799 – 01:06:39,465

Fights. And like he's the guy you want behind you. But the problem is for intimidating factors, he's like so intimidating until he I always say like, dude, you can't smile. As soon as you smile, [laughter] it's over. No one takes you seriously. It's done. But if he doesn't smile, he's he's there and like and and he can and he can I wouldn't mess with him for 100%. I wouldn't mess with Dana. He he knows crop mga and the whole thing. So, not only is he big, he can he can

Section 215: 01:06:39,475 – 01:07:07,349

[Laughter] he can he can snap your neck and then and and so yeah. So, he's definitely one of those dudes, but soon as he smiles, it's like it's over. He's just a big teddy bear. >> Oh, please. I want to sit at your feet. I want to become I want to become the samurai that you if there are fights that's Oh, God. I'm ready. I'm here. No, I'm ready. Just send me out. Tell me. Go. [laughter] I'll just go crazy. Right. And I'll have my makeup on. our

Section 216: 01:07:07,359 – 01:07:29,109

Young those were our younger days, too. So, I don't know. I don't know how we do anymore. I mean, that was uh that was uh definitely a longer time ago when uh we would uh and trust me, we weren't getting in fights a lot. It was just a couple times where we had to like take care of something and then uh and and that was that was it. And trust me, I'm the first one in knowing Dana's right behind me. Just so you know, like that's

Section 217: 01:07:29,119 – 01:07:55,190

How that's how our band works. I'm like, "Yeah, I'm gonna go take care of this." And I just look back and make sure Dana's like right behind me. was like, "Okay, I'm going to be fine." [laughter] >> I will earn your I will earn Junius's respect by being the first one in this time. If there's something, I'm going to be waiting for it. So, I hope that I earn your respect. There's a certain punk punishment. I have to take two. So, tell the guys I don't mind if they kick

Section 218: 01:07:55,200 – 01:08:19,189

Me around a little bit. I need some, you know what I mean? Hey, if you if you wanna if you want to roll around with Orion's high belt and jiu-jitsu and all that stuff. So, if you want to roll around, same with Dana. So, if you they'll toss you around like a ragd doll. You just let them know. They'll do it. They have no problem. >> Oh, awesome. This is going to be awesome. Joe, a lot of the people or or several of the people are asking about

Section 219: 01:08:19,199 – 01:08:51,110

Your marital status. I suppose you get that all the time and it's something personal you don't want to talk about, but >> Oh, yeah. I'm just a I'm a I'm a married dude with kids. There's There's >> I know. Sorry. Sorry. >> Don't say that. No, we're going to edit that out. We're going to edit it out. Right. Right. You ladies, you ladies, you keep knowing the mojo. I want you to look. Put their picture up again. People, if there's one band on the planet that has Mojo, it's this one.

Section 220: 01:08:51,120 – 01:09:18,630

Right, Chewy? That's Mojo. people in 100% honesty uh there is a beautiful sincerity to Joe and Junius that just um I just can't be grateful enough and I hope that I can express that with a devotion and a professionalism and a performance and a power that uh you know

Section 221: 01:09:18,640 – 01:09:57,910

That works that inspiration that's worthy of that inspiration. Uh Joe, you just really have blown my mind. And when I watched your first video, I just couldn't believe it. I uh I I felt like I could die. I felt like this is it. This is Look, we broke through and the poet is there. So, I want to leave um tonight off with something that you want to broadcast to satanic congregation, you know, kind of like, you know, you we have you sitting here and what's your wisdom? What's the,

Section 222: 01:09:57,920 – 01:10:14,870

You know, give us something that we can take, you know, and and cherish, you know what I mean? I mean, I think I think my thing is with the album and with Sautera is that I think for me

Section 223: 01:10:14,880 – 01:10:53,189

Focusing on her to me is like the biggest it's the it brings the most power to me, I think, because I think we can if we can bring her back, I think it cuts the legs off of anybody. from the start and there's nothing you can't we can talk about the Jesus thing we can talk about anything but no matter what if she's back and she's and we and we know she she we know media is Christing we know that that word is associated with her well before Jesus we

Section 224: 01:10:53,199 – 01:11:21,590

Know that this is a thing that existed and she's the one that just immediately cuts the legs off of of any argument I mean, we can go like I'm all I love all the arguments and I love watching everybody. I love the congregation. I'm I'm a lurker. So, I I'm on the Discord. I'm watching everybody. I love it. I think it's great. I love all the the the the arguments and the banter and the and the camaraderie and I think it's beautiful and I think it's amazing and I

Section 225: 01:11:21,600 – 01:11:59,830

Think it's amazing what Almond's created. And I I think, you know, as long as the focus is in trying to get her back, trying to bring this idea of um not even idea, bring literally just try to bring her back to to the world and make that our um you know, our marching orders are that I think everything else will fall into place. I think everyone is fascinated with the the darkness and the and the um and the the obviously the the greed and all the things that are awful, but but let's

Section 226: 01:11:59,840 – 01:12:22,035

Also make sure you know remember we have the light too and the light is her. And I think that is um I think that's the way we uh we bring this to everyone. So >> yeah, it's true religion. Joe, you've shown me true religion and I thank you. Um, absolutely gorgeous satanic congregation. Um,

Section 227: 01:12:22,045 – 01:12:22,950

[sighs]

Section 228: 01:12:22,960 – 01:12:58,390

It's been our privilege and our honor to host Joe tonight. And I want you to remember this moment because there there is something different happening. And I think Joe's music is going to is going to create some kind of cosmic crack in the dome. And um watching people under its influence is going to be my study um coming up here late July and early August. >> It'll be fun. Hey, and come to the shows everyone. Come to the shows. It'll look these are this is going to be a great

Section 229: 01:12:58,400 – 01:13:23,430

Time because they're going to be small shows. Genius isn't a big band in America. So like we we do we we generally go to Europe instead. So [clears throat] that's where we do better. We do well over there. So, here it's it'll be nice because we'll actually get to um we'll get to you'll get to interact more. So, so these shows these shows will be fun, but you know, this is the time to go. So, I don't know I don't know when we're going to do this [snorts] again cuz we don't really tour

Section 230: 01:13:23,440 – 01:14:01,990

America that much. So, um so come out, >> share that people. And if you do come out, you can whip yours truly all you want. So, there's something special. Joe, thank you for coming. Uh, I'm totally I'm totally hyped. Please give all the guys a salute for me and tell them I I'm coming with my humility and my fighting spirit with me. And Chewy wanted Chewy wanted you to know that she'll be sending you the movie very shortly, right? So, for you to look at that I that I'll be showing at at the events. So,

Section 231: 01:14:02,000 – 01:14:29,510

>> Absolutely. I We're totally pumped to have you. We're like, we're all excited. We know this is going to be such a it's look, tour is always fun. It's just always fun. I mean, it, you know, there's always ups and downs, but like at the end of the day, like when you're loading up the van and packing up after playing a show, even if it's a bad show, there's still something um really satisfying and uh about finishing um

Section 232: 01:14:29,520 – 01:14:55,306

Something that was pure and art. It's just art and you're getting to show your art to people and people want to see it and and then you put all your hard work in and at the end of the day you pack up and you do it again the next morning and wake up and start driving. So, there's something really nice about it and I think you'll you'll really enjoy that aspect of it. >> Okay. And I'm I'm waiting for you to say go. And when you do, I'm going to tear The ass out of anybody within 10 ft.

Section 233: 01:14:55,316 – 01:14:55,430

[laughter]

Section 234: 01:14:55,440 – 01:15:39,510

>> Okay. >> Okay. All right. We are here are tacked on. Here we go. >> Joe, thank you. Thank you so much everybody. >> Chewy's going to play that. Chewy's going to play that rendition of Lucifer again and I'm going to come back in and I'm going to give you some of the orurves that people have been asking me about with respect to what's going on in the YouTubery. So, um Joe, thank you for coming. >> Thank you so much for having me, guys. H >> Satan. Els

Section 235: 01:15:39,520 – 01:16:00,807

>> Play the Chewy. Play the Play the film. Oh god. People, there's lag in the system. Chewy. Play it on. Satanication. Don't go away. Just go talk to the wind. Grandma, get on the throne. God damn it. It's time. Tonight we're brawlers. I love it. Go.

Section 236: 01:16:00,817 – 01:16:06,702

[music]

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>> [Music]

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[music]

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>> Darkness is grown in the hearts of men. They roam and rain. [music] Then drain the sage.

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They'll drink [music] her down. Then stumble to their [music] grave.

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[music]

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She filled the [music] hearts in a lightless age.

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[music]

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A spirit cast by blood flame.

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She [music] s the source. We satiate.

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[music]

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>> [Music]

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[music]

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>> She laughs last as she s the [music] stor. Heat. Heat.

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[music]

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>> [Music]

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[music]

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>> Heat. Heat.

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[music]

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Heat.

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[music]

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>> [Music]

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[music]

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>> Heat up

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Here.

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[music]

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>> [Music]

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>> The heaviest flow

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I see the [music] truth

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Will swallow us home. [music]

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It's time [music] to drive.

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[music]

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>> [Music] >> Heat.

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[music]

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Heat.

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[music]

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>> [Music]

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[music]

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>> Heat

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[music]

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Up here.

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[music]

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>> [Music]

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[music]

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>> All right. All right. Let's get [sighs and gasps] people. I'm telling you, it's the most fortunate thing for me to be able to go with Junius to tour. This will be the most educational. Oh god, this is what I missed. People, this is what I missed. It must be perfect. I must be a total punk. God damn it. I need the edge, people. Can somebody parachute in and beat the crap out of me? Ow. God, I love it. People, I need training. Where's those goddamn martial

Section 281: 01:21:45,679 – 01:22:27,262

Artists when you need them? Bruno's out there in the field messing around with Turkish women. Godamn it. Bruno, wake up, [sighs and gasps] people. It's driving me crazy. And [snorts] not in a bad way. Absolutely beautiful. Satanic congregation. Did you like Joe? People, come on. Put up. Say, we need a poll. How many people How many people think Joe is a sexy poet master? Sexy poet master Joe. Question mark. Yes. Right or no?

Section 282: 01:22:27,272 – 01:22:28,229

[cough and clears throat]

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And for those people who are insecure in their sexuality,

Section 284: 01:22:33,167 – 01:22:33,750

[sighs]

Section 285: 01:22:33,760 – 01:23:01,430

No is not the answer. I need to get a drink. This is fantastic, people. I just I'm overwhelmed. Satanic congregation. Uh Joe is poetic [snorts] people. It's there's something romantic is Joe. Does Joe bear within him? This Joe

Section 286: 01:23:01,440 – 01:23:26,867

Carrey, the soul of a dead romantic poet, capital R. Please want the romantics. Goddamn it. Very Byronesque. I think so. People, don't you listen to that. A man who wants and he consistently says this in the interviews. He consistently says,

Section 287: 01:23:26,877 – 01:23:27,430

[sighs and gasps]

Section 288: 01:23:27,440 – 01:23:48,550

He consistently says this is about her. Look, we've worshiped a dude for the last 2,000 years. And what has it gotten us? It's gotten us people who are thieves and liars. That's what it's gotten us. It's gotten us prophets who say, "What? Your songwriting sucks."

Section 289: 01:23:48,560 – 01:24:09,669

That's why Joe is in the vanguard, right? It's why he's in the van card cuz he's not sucking. He's doing the opposite. He's bringing you a religious experience. It was for me people. That's all I can say. Right.

Section 290: 01:24:09,679 – 01:24:29,430

Cyian is my particular favorite. Yeah, Lucifer is Chewy's favorites. What are people's favorites, by the way? People There we go. put up favorites and then I'm gonna feed Gnostic informant to you. It'd be nice.

Section 291: 01:24:29,440 – 01:24:51,350

Ah, it's gonna be good. Yeah, J, you can get one, too. People, are they answering the question? >> Most people like Lucifer Cyian. Who else? Here. There you go. Crack that open.

Section 292: 01:24:51,360 – 01:25:01,188

Oh yeah. Okay. Tell me people. Chewy, end these up. What are you doing? Drinking and drinking and what is this?

Section 293: 01:25:01,198 – 01:25:01,990

[clears throat]

Section 294: 01:25:02,000 – 01:25:16,253

99%. Hey Joe, guess what? You have the highest score. Verifying even the people who come here to [clears throat] hate. Think you're sexy.

Section 295: 01:25:16,263 – 01:25:17,189

[sighs]

Section 296: 01:25:17,199 – 01:25:47,830

Dead romantic poet. That's sexy. That's what I should have done. God damn it. When they were handing out the futures and I was like, hm, god damn it. I should have taken from that bucket of romantic training. Oh god, what a I bet Joe has a lot. We need to ask him next time. Just because he's married doesn't mean we can't probe. rides people.

Section 297: 01:25:47,840 – 01:26:29,830

Oracle, somebody said Oracle still. Yeah, one of the critics said Oracle was overwhelming. Some of the talk about the music is just beautiful and uh well done. It looks like professionally it's hitting. You know what I mean? Oh god. So people, I want us all to come to Junius. We can wrestle while we're there and reform the punk. Who wants to reform the punk with me? This is death punk. Whole album is the best song. Oh, that's nice. Yeah, Cyian is the climax. I totally agree. That's

Section 298: 01:26:29,840 – 01:26:57,430

Brutal. I totally agree. Yeah. Mhm. Totally agree. [sighs] And it flows, people. I'm telling you, it's it's initiation. He just can't tell you that. You know what I mean? There's some there's certain intimate secrets that poets have with their muses. I told you. I told you there's certain intimate things and that's one of them. He's not letting you in.

Section 299: 01:26:57,440 – 01:27:22,709

You're being initiated. Isn't that gorgeous? People, who wants to eat stupid? [laughter] Who wants a giant stupid pizza? Does anybody from satanic congregation have an urge for stupid? Oh [sighs] god.

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People, there's artificiality and there's

Section 301: 01:27:29,199 – 01:27:54,229

What is genuine. And we are going to look at the genuine tonight. Just briefly, I want to throw up this clip and we have some gorgeous creek. We have some What is the poll? How many slices of stupid pizza are you have? Look, Chewy, you became the waitress yet

Section 302: 01:27:54,239 – 01:28:37,510

Right at Almond's satanic pizzeria. Who wants some stupid? [sighs] Would you like some extra stupid on that? We may have to have extra stupid right people. Oh god. Now satanic congregation. I want to have a serious put LH. I see L. Get him down from there for now. It's too You jumped it. He jumped the Yeah. What do you do? You don't just jump in and dive and you scare people that way. You know what I mean? [gasps] Take your time. Finesse, Chewy. Everybody, satanic congregation,

Section 303: 01:28:37,520 – 01:28:42,790

Tell Chewy, finesse.

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Little ups and downs, little troughs will make you want the height so much more. Little teasing wouldn't hurt you, would it? Oh god.

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[sighs]

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Can we go to the Can we run the tape, people? I told you from the very beginning two things. I had somebody ask me this week in interview. What is it about integrity that's so important? Yeah. And for me integrity is everything. Devil told me and I've told you satanic congregation. Devil told me and I'm telling you again

Section 307: 01:29:22,239 – 01:29:29,910

Don't lie. Don't fabricate. Don't make up.

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Don't obfuscate. You must have the clearest of voices and you must always tell people the exact and permanent and total truth.

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Do you understand, Almond? And I was like, "Oh, you know it, Daddy O." You know what I mean? Cuz I was in that mood. I didn't realize how important it would be to tow that road. Oh god.

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[sighs]

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[snorts]

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People, have I told you the truth? Have I obiscated or lied? Because I hear somebody like a jackass heehaw

Section 313: 01:30:20,639 – 01:31:10,070

Yelling liar. Liar. Liar projecting from the vomitus of the insurrection that began the overthrow of the United States of America. Yes. From that cesspool, a voice and a lie. People, have I lied to you? Let's just get it out and clear. Have I lied to you? Blow me up so they can see. blow. Oh god, what have you got going on, people? It's a mystery. It's a mystery at the funding they just cut off. I got another email just today, people from the brothel wanting me to go

Section 314: 01:31:10,080 – 01:31:26,333

Some classes that some who claims to be a classicist that we, you know, I showed you wasn't. It's going to charge you money. And guess what? Their tour is not going to work this year. ride. [laughter]

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[gasps]

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How much for how much money will you sell out your brother and sister? Oh god, it's amazing. Where did I get on that? Let's get back to the material. There is a lie absolutely not told by me people because the first time I say something incorrect like not not even just lie or obuscate but just say something it's incorrect

Section 317: 01:32:00,800 – 01:32:34,070

Right then I'm So as your congregational leader it's my duty to maintain the highest of integrity. How many who people want slices of pizza? Look about half one all. >> Right. It's not your flavor. Look, we're not hitting the pallet tonight of the How about if we throw in a little bit of insurrection, people? Well, that heating things up. Oh, that's like the chili pepper of the history pizza. [sighs]

Section 318: 01:32:34,080 – 01:32:37,990

Insurrection and stupidity.

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People I told you once when you Christ you are involving drugs.

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Christing is a technical term that arises within an industry that is pharmacological. The same people who are manufacturing the pitch that you will use the sealant are the same people who are processing your medicines,

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Your sacramental drugs.

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[sighs]

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And yes, the word plaster is itself pharmarmacological.

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People, you don't understand it. Christ comes from the application of a substance that is created by the pharmarmaca. That's that large industry you might call, what do they call it today? Big pharma, right? By the way, pharma is a Greek word, right? Because you Englishspeaking sons of cracks of don't know what a nonbarbarian tongue Feels like.

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[sighs]

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You know, they didn't have a word for homosexual in ancient Greek. Oh god, all that genius. And they didn't see any difference between people having

Section 327: 01:34:20,320 – 01:35:06,416

Intercourse with the same sex or gender, same different gender. Who gives a what are you talking about people? They're too busy solving the mysteries of the universe. Okay. What are you doing, Chu? You're distracting me. Are they watching this, too? Oh god. People, how do you do this? You're gonna have to be seated on the throne. Those of you who know know that I will bring my throne with me, says the antichrist. What is LH doing there? Yeah, look, LH, [gasps] you should report to my office immediately. I've heard some things.

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[sighs]

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I hope that was consensual [laughter] People. Uh LH is going to give us the clip. Bring us the meatthead that's going on the pizza tonight. This old pizza. Go

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[sighs]

Section 331: 01:35:29,120 – 01:36:00,126

Hit it. Come on, Chewy. It's not funny. People want it. They're hungry. You're just Now you're just really Oh, it's going to be inception. people. Who are all these people on the screen? Put me over here. I don't want to be in that place. I want to be over here. Makes it look like they're they live in my attic or something. Put me up here. This is important, Joey. >> Okay. Damn it. It didn't work. Okay. Put me in the basement. I don't care.

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[laughter]

Section 333: 01:36:00,639 – 01:36:32,709

>> Okay. There we go. I'm on top. Okay. Now Chewy, did you find the clip? Play it, please. Yes, it's the one you showed me. Yes. Go. >> Lexicon. Epic. You agreed makes means to smear. And in this case, in in the pharmarmac with strabo, it means she either Yep. In strabo, she epic said the pharma. >> Good. Good job. So far, that's correct. >> That's not what we're debating here. >> Yes, it is. You said nothing about antiquity is true. And I bring up fake

Section 334: 01:36:32,719 – 01:36:56,457

Sauces. >> I said anything Almond says is all his fault. When he says Christing always >> Stop talking about Almond. I'm here for me because you said I bring up fake sauces. >> No, no, no. So you >> First of all, people, you have to realize what subtle pleasure there is. And watching the guy on the bottom jump up and down with excitement.

Section 335: 01:36:56,467 – 01:37:32,149

[Sighs and gasps] Don't you love it when the orders come out hot? I know people you had to wait this time. Keep going. >> You agree with me that Almond's wrong about Christ? >> If he says it's every single time, then that's not accurate. And I've heard him say it's overwhelmingly related to >> overwhelmingly related to gross, which we've seen. >> Dude, stop. It's the anything. >> You can't. >> Okay. Fantastic. He's taking a technical word from a discipline and he's trying to tell you it's oh it's just in general

Section 336: 01:37:32,159 – 01:38:02,950

Used this way which it is not because it's a technical term that developed out of a very popular industry and that industry was drug manufacturing and these drug manufacturing peoples were sophisticated and created their own through mother Greek because mother Greek is of A language that is able to create novelty. Not just neogisms. you.

Section 337: 01:38:02,960 – 01:38:32,088

That's two-dimensional. I'm talking about the big boys. Do you understand? Mother Greek is able to create this world. It's the reason you're standing there on a level plane. Do you understand? Oh god. So people 37 years later as I'm Reading the Greek and relishing it and having having uh

Section 338: 01:38:32,098 – 01:38:32,950

[sighs]

Section 339: 01:38:32,960 – 01:38:53,830

Having gone to the level of a PhD, there's no higher degree in my field that I've gotten. There's no higher belt. I cannot earn a higher belt. Do you understand me? And what is my specialty? My specialty is the in fact the medicine

Section 340: 01:38:53,840 – 01:39:20,558

Right in fact the pharmarmacology in fact the very industries that I am studying and studying the vocabulary that's coming from it those are what this meatthead will say oh no it's not look he's lying to you because you can Christ your boat, right?

Section 341: 01:39:20,568 – 01:39:21,669

[sighs]

Section 342: 01:39:21,679 – 01:39:58,470

The focus is not the modern. What he fails to see because he's a is that he's using the modern lens to try to perceive the world. You don't do that. You come through the Greek, which you failed, Neil. You failed to the fourth unit. You failed. And if I were to give that thing that you said there with when you were trying to translate, which you weren't, um, that was terrible. I would expect that you'd be about second week of one of my classes at a regular

Section 343: 01:39:58,480 – 01:40:20,164

University, right? Yeah. No, two weeks is generous, right? So people do you understand why I have told you to trust me when I'm talking about these Greek sources? I have seen these things.

Section 344: 01:40:20,174 – 01:40:21,270

[sighs]

Section 345: 01:40:21,280 – 01:40:55,910

Now people come into the field and people because of Lady Babylon are going to the universities now in classics. Isn't that nice? Isn't that nice? And what are those people going to find there? A ton of sources and things that I told them would be there. And people come to me all the time. Oh, you were right about XYZ. I know I was right. I wouldn't have said it if I wasn't. I'm telling you people. Jesus

Section 346: 01:40:55,920 – 01:41:11,109

Was in a cult that was sexually drugging and abusing kids. Okay, Hebrew never existed.

Section 347: 01:41:11,119 – 01:41:32,550

Let me tell you something. I'm just going to give this to Satanic congregation and this little short Jewish should rock the world people. The key in the evidence that we've got is Pho Judeas. Pho the Judeian.

Section 348: 01:41:32,560 – 01:42:06,275

He goes through the entire he's very well educated goes through the entire septuagent completely in Greek never once says this is Hebrew doesn't even bother to mentioning Hebrew so much so that we don't even know if he thought that Hebrew existed But he uses the Greek beautifully he shows demonstrates what is the Genesis what is the garden of Eden through the Greek.

Section 349: 01:42:06,285 – 01:42:08,550

[sighs]

Section 350: 01:42:08,560 – 01:42:20,030

Why first century BC? Because there was no Hebrew. The Bible is a Greek document.

Section 351: 01:42:20,040 – 01:42:20,950

[sighs]

Section 352: 01:42:20,960 – 01:42:31,910

Pho Judeas is the answer to the question of did ancient Hebrew actually exist?

Section 353: 01:42:31,920 – 01:43:05,109

Pho Judea says no and shows us all the beauty of the original Greek architecture. People, if I had been reading this a while ago, it's a good thing I had my white pants on today cuz if I had been reading this a while ago, I would have been plugging everybody's hole with this. Everyone's hole. People, let me just say this one more time. We have a first century BC

Section 354: 01:43:05,119 – 01:43:50,421

Author named Pho which is a Greek name not a Hebrew or Aramaic name and Pho is this dude this Judeian who is writing about the Septuagent and explaining what it is. He talks about the allegory. Allegory is a Greek word. Do you think there's any kind of word in that that they fabricated and called ancient Hebrew? Do you think that there's any allegory in that? No, they can't. You can't in a word in a language with only 7,000 words. You can't go that far. Yeah. Right. Yeah. It's in Greek,

Section 355: 01:43:50,431 – 01:43:52,390

[laughter]

Section 356: 01:43:52,400 – 01:44:09,669

Right? Somebody's yelling. Look, I'm reading it. It's in the Greek. Oh, is that LH? LH, you rock. You rock, brother. So, LH, just imagine. You know, you're sitting there. This is Inception. Inception. You're sitting there looking

Section 357: 01:44:09,679 – 01:44:59,197

At these texts and I'm watching you from a distance, right? And I know I know what is ahead of you. I know what I've seen there. I've been there, right? Yeah. Um, so, uh, yeah, you can let LH LH, you want to come on, just bring him the on. Let's do it, people. Why not, right? Send them a link, right? Just don't. If you send it to everyone, they will come and then we will have to crowd surf people. I want to crowd surf. I really want to crowd surf. I I hope There are enough. Excuse me. Yeah, probably. I hope there are enough people here. LH, you're getting check your email.

Section 358: 01:44:59,207 – 01:45:00,950

[sighs]

Section 359: 01:45:00,960 – 01:45:35,669

People, I know it may get rough. I want you to make it so right. This is a goddamn religious rock concert, right? That could possibly change the world. The spark is there, but you have to light it. We have to all be insane, right? We have to all be possessed. I'm going to love it. Grandma's going to love it. She finally gets to go out. You know what I mean? Leave everybody there. They're always making her do the dishes. This is for those of you who make your

Section 360: 01:45:35,679 – 01:45:53,430

Grandma do the dishes. [sighs] Did I get put my whip back? This is for This is for you. Don't let your grandmother do dishes, you stupid punk.

Section 361: 01:45:53,440 – 01:46:28,278

We haven't gotten a new whip yet and it's kind of limp, right people? I broke my whip. I didn't think you could, but I did. [sighs] I have to get another one. Orion. Orion is on it. What the hell was that? Okay. Fantastic. Fantastic. Here's what I need. Oh god. People were getting swamped with intelligence while we while we sit here. You think I'm kidding people? Who do you think that DA was in Los Angeles?

Section 362: 01:46:28,288 – 01:46:29,510

[laughter]

Section 363: 01:46:29,520 – 01:47:07,830

Who was screaming about me ruining everything? Who do you think that was? Was he on the Israeli tour tourist born? I think he was. He's going to be on one of those trips, right? Who got all the money for that? >> [sighs] >> It's funny, right? It's funny. They used to mock Neil used to laugh. Used to laugh at how how myth fish and take your asses for money that he didn't need. I thought it was funny. Not you, Satanic congregation, but for those people who

Section 364: 01:47:07,840 – 01:47:28,629

Were part of that sess, right? Where were you on the sixth? It never goes away. Did you think the devil was going to let you walk? No. It's the mirror. I told you, Neil, how to escape. I told you. Oh, God. Oh,

Section 365: 01:47:28,639 – 01:47:52,229

People. It's amazing. Are we He's probably going to swallow us again. Let's go. LH isn't coming. LH, get your play. Play. Okay. Give some Greek here while LH decides whether or not he can come. Rise. Oh, give me people. Look, pharmaceutical terms. Yummy, nummy.

Section 366: 01:47:52,239 – 01:48:17,665

I told you what else is coming out of the pharmaceutical industry besides the dyes they're baptizing with, right? Um, What other terminology is coming out? You know the word savior. Look at the first blue word. So, right. Those are those drugs that are salvific.

Section 367: 01:48:17,675 – 01:48:18,470

[sighs and gasps]

Section 368: 01:48:18,480 – 01:48:27,830

God, give me the next one. People savior. Jesus Christ savior.

Section 369: 01:48:27,840 – 01:48:47,430

Right. What does this say? Right. Oh, God. What's coupled here? Salvation and drugs. Salvific Drugs. Oh my god. Next, Chewy. Next, people

Section 370: 01:48:47,440 – 01:49:19,430

Just dive in. Just dive into this. Who the hell wrote this? [sighs and gasps] Oh, this is what's his name? Second century Greek. Oh, we just covered him in the readings from Ty. What the hell was his name? Oh, Magnus. They just called him Magnus. That's a stupid name. Look.

Section 371: 01:49:19,440 – 01:50:06,390

Ah, the hell does that mean? Doesn't sound good. It means the tyrants, right? They introduced themselves upon the Athenians through sex acts against children. That's how hubristic are the ultra wealthy. You know who I'm talking about. The chosen, right? Cuz when you get that much money, you think that you're special. You do. Which one of them doesn't, right? Which one of them doesn't? Every once in a while, one of them doesn't. And that person becomes like a states states leader, right? That's like so long,

Section 372: 01:50:06,400 – 01:50:29,030

Right? The the wealth didn't warp his mentality, right? The people we're talking about the Brazil, they just they've already started out in a warp zone, right? That's why they do what they do. But they cannot stop the muse, right? They cannot. No. Dispirationality

Section 373: 01:50:29,040 – 01:50:44,870

Sucks ass people. Once you've been inspired, to be dispired is the greatest punishment. It's the greatest punishment. No more big H for you.

Section 374: 01:50:44,880 – 01:51:13,669

None of that good dope. It's all gone for you, right? Do you see how it works? Hell, Satan. That's the power of the poetry. If you want my opinion, look at that bastard. Is he still with Katie Johnson? People was still who's in power? You know how Junius just said? What did Junius just say?

Section 375: 01:51:13,679 – 01:51:28,550

We are Oh, here's LH. We are that unrest, people. We are that unrest, right? Just leave Katie Johnson up here because the guy's still a pervert. Go ahead, put LH up. Throw him up. LH, what's up?

Section 376: 01:51:28,560 – 01:52:07,750

Hey, how you doing, man? Oh, I just caused an earthquake. God damn it. Oh, >> LH. >> Yes, sir. >> Are you Are you there? You gave me a some kind of fit. I feel like I have some, you know, I don't know what they would call it, fainting spells or something. Um, tell me something. you interviewed or Okay, I watched it myself live. >> Yeah. >> Right. So, I saw what happened and he came on. God, he's so worked up. And let me tell you something, I am more aroused

Section 377: 01:52:07,760 – 01:53:01,290

Than ever by the time he gets on there just knowing that there's all this stuff going and when he rips and tears and loses his it's hilarious. It's it's comedic and you handled it like a robot. You just you just keep bringing them back to the point. Bring it back to what about this and what about this? Um yeah, I I [clears throat] don't take it back. um the drugs that you're dealing with, we wouldn't consider something like uh processed pitch >> That they're using on boats, but um as a drug, but the the industry does and the language is from that industry. Mhm. >> It's coming from the drug industry,

Section 378: 01:53:01,300 – 01:53:01,830

[snorts]

Section 379: 01:53:01,840 – 01:53:45,430

The pharmarmacaya. That is what is creating these terms. So you may not consider like resins. There's a whole section at Dascortis just about resins, pine resin. How do you how do you um collect and then process and use pine resin? What the hell is it good for? Right. Well, you're going in some cases to Christ it. So that term Christing is coming from that industry. Does that make sense? >> Yeah. >> Yeah. He's they're using the same form of application but it's these people that are making the drugs or like you go

Section 380: 01:53:45,440 – 01:54:08,390

To pharmarmacon in the lexicon and you go okay what word are we dealing with here? We go pharmicon. Is it a drug or is it a medicine in this case or is it a poison? And then you go through and you go, "Okay, what are we talking about in this case?" And you pick which definition we're talking about. So if you're crying or pitching something, you'd go, "Okay, we're rubbing smearing on using this pharmarmacon in this case." But we're not talking about a drug on a body in this case. We're

Section 381: 01:54:08,400 – 01:54:44,870

Talking about on a boat, but it's still the same application. >> Correct. >> Okay. It is it is a compound that has been synthesized within a technical craft and that's where the vocabulary is coming from for Christing and I just showed you could see savior there right you didn't know that there were savior drugs right well there are you didn't know that there were when you say gospel the aangelon you would you don't know that that is the efficacy of the drug, right? But that's where the word comes

Section 382: 01:54:44,880 – 01:55:17,750

From. So Jesus is is drenched in enough of these cult terms that you really have to be a to miss it at this point. Um, and I guess the thing that Neil wants is to be able to say, "You're a liar." The thing is, I'm I'm really not. I'm really not. Um, you can even talk about Christing Does it does it change

Section 383: 01:55:17,760 – 01:55:40,709

The nature of what you're doing? No. The Christing is still from an industry that in this case is using feces, right? So, um, it's it's uh when people have not been involved and Neil hasn't been involved. He hasn't been involved at all, man. Um,

Section 384: 01:55:40,719 – 01:56:07,750

It smacks of something dark. What did you think? >> They're trying to separate. They're trying to separate between Christ here and Christing here. And they're trying to make a distinction between the religion and Jesus and then every other piece of literature in ancient Greek that we have that says the exact same thing. >> Yeah. You can't do that. Yeah. >> You can't do that. You can't Why Why are they doing that?

Section 385: 01:56:07,760 – 01:56:32,070

Because they're trying to protect the narrative that we've shown that you've shown all of us that we can read it all ourselves. Says, uh, John 9:11, I can pull it up right now if you want. Go pull it up right now. John 9:11, Jesus epichristed the man's eyes. Okay, how'd he do that? He spat on the ground, mixed the earth and spit, and then epichristed his eyes. And I just asked Grock, I put it in the Discord. I'm like, "Hey, Grock, did Jesus Christ anyone?" And it

Section 386: 01:56:32,080 – 01:56:57,740

Says, "No." And I go, "Hang on a minute. Read this in John 911." It goes, "Oh, my bad. So, we can't trust AI right now either. >> No. Yeah, it was only I the AI in me is only like 60% accurate. And for some reason, people think I'm some dude who committed suicide a while ago or like like I transferred my identity. I promise you I'm not. Right. Which is I'm sure what that dude would say. Right.

Section 387: 01:56:57,750 – 01:56:58,790

[laughter]

Section 388: 01:56:58,800 – 01:57:31,109

Why do you think Let's Come on. Let's feast on this a little bit more. Why do you think Neil is so worked up? He's really hot for this whole thing, isn't he? >> Well, I've seen people work like this before and when they get exposed that they they start to like a viper, they just lash out because that's all they can do. And I wanted to expose the two things that I really wanted. I wanted to expose two things about him in what I did with him on the weekend, which was one, he misrepresented and lied about a scientific paper, which on the building

Section 389: 01:57:31,119 – 01:57:45,030

Of the pyramids, which you can all go see. He lied about it. He admitted it on my stream and I wanted to show everyone how absolutely disgustingly poor at site translating ancient Greek he was with Mark 14:51-52

Section 390: 01:57:45,040 – 01:58:17,109

Which we've all seen it a million times and I wanted to show you how he reads that by site and honestly I've got I've got another video coming out on it because I wanted to break down exactly what he was doing. He misidentified a dative for a genative. Okay, that is like level unit one Okay, he missed whole ver uh he missed a whole letter an he said. He missed sun. So he can't even read what he's reading in Greek. Okay, he's missing things and he

Section 391: 01:58:17,119 – 01:58:48,070

He misidentified a dative as a genative which is the introduction introductory level stuff in the uh textbook. So I'm like, "This guy's telling us what Greek is and saying, "You, sir, right here, Arman, are 35 years of experience is a fraud when he can't even read the introduction level stuff." >> Right. Right. And that's what I thought was, you know, I'm sitting in my own skin just like shaking my head just because he's setting it up perfect just to show what he doesn't know. And that's

Section 392: 01:58:48,080 – 01:59:18,950

What you're good at, LH, is um you're good at grasping on to the to what can be proven and then just shaking your head like a pitbull or something. You know what I mean? So, I was impressed at that. And uh I was impressed that he also admitted that he like you identified like something that he put in the text, right? [laughter] >> [snorts] >> Is that what he like wrote something in and you >> Yeah, it was a scientific paper and he wrote next to it, "Mortar in the core of the pyramids and mortar equals

Section 393: 01:59:18,960 – 01:59:33,270

Terminus." I'm like, "Did you write this?" And he goes, "No." And he stood up and screamed at me. I'm like, "Bro, it's you wrote it." And he admitted that. [laughter] >> Yeah. It's something I don't know. He's uh

Section 394: 01:59:33,280 – 02:00:06,790

People, you know, you just have to read that bakic energy. There's something about when you turn on what you know is reasoned. When you, you know, when you become desperate, when you have to prove something, that's when things are when you just sit there very cockily on reason and you're like, "Look, it'll all work out, right? There's somebody just this week approached me in the my classes." LH, I don't know if you saw this, but they're going to be able to put me under a microscope and take apart

Section 395: 02:00:06,800 – 02:00:39,750

Every thing I've ever said and tell us the accuracy. And do you know what I say? Awesome. That's exactly what we need. And then take those same AIs and shoot them out in the text and say, "Show us the right. Bring us back the right from all the texts that we've got." Um, I think we're close to doing that. Um, what do what are your plans for the future? Like where do you see yourself going? Your channel is doing fabulous, right?

Section 396: 02:00:39,760 – 02:01:05,589

>> That's a big thanks to you as well, like bringing all this out to us cuz like I said in one of my previous streams like this, like as as I grew up, everything was like Christian and going to school like this, Catholic, and then I found this and I'm like, "Holy shit." And then I could verify it for myself. So going forward, I've always been into ancient history, but seeing this level of history, cuz we always like watch the TV shows and you go, "Okay, this is interesting." But reading the actual

Section 397: 02:01:05,599 – 02:01:31,750

Language for itself is just like another level that gets beyond everything that I've ever experienced. Like reading what people were doing in that time in that day exactly as it was. No, nothing around it like saying a PhD needs to tell you this. You can read it for yourself. That's why my whole point for this is yeah, you showed it to all of us, but everyone who's watching this can do it for yourself. If you check my channel, you go to all I put all the links in the descriptions of the my

Section 398: 02:01:31,760 – 02:02:04,709

Channel. Go and do it all yourself. That's my number one goal now. Telling everyone that we can all do this for oursel. That's why I want to go. >> I think that is the best message. Yeah, it is beautiful, Chewy. I think that's the best message. And look, it doesn't it doesn't rely on me, right? Everything that I've said can be checked and you can go and you know what? There's things that I haven't mentioned that are there to be investigated and uncovered. And once you start digging for yourself,

Section 399: 02:02:04,719 – 02:02:36,629

You'll find that you'll bring to me and say, "Oh, did you know this?" And I'll be like, "Oh, I never saw that one." >> Yeah, that's what I did. >> Right. Yeah. So that's you know um that's university that's uh museum not so much university that's museum and so it's an honor to have you LH as part of the museum um and I think it's very noble I think there are a lot of people are you single LH >> okay people look [laughter] look we finally have a dating objective

Section 400: 02:02:36,639 – 02:03:03,990

The devil told me was like your show is boring if it's you got to include some romance People look at LH, right? Look at what he's done. Watch some of his work. LH, tell us a little bit about yourself and things you like and you know >> things I like. Well, see, I go into the sports world cuz I grew up like in the sporting world playing sport over here like Australian football and then um I actually studied journalism. So that's where my like background and research

Section 401: 02:03:04,000 – 02:03:35,750

And everything comes from journalism. So I went into that side and then I I actually did some research and studies with um actual sports teams. So like like um full-on sports team. So I was doing um fitness and all that training. So gym gym training, fitness studies and then journalism and then love ancient history as well. So that's like basically everything you need to know about me. I'm going to be watching the footing. I'll be studying Greek and [laughter] that's about it right now. >> Okay. Satanic congregation. I want some

Section 402: 02:03:35,760 – 02:04:07,830

Feedback. Right. Is this sexier or isn't it? Right. Look. >> Oh, yeah. And playing drums. >> He's Oh, and he's and he's musician on top of everything. Look at that. Look at that. Wellrounded. Right. You couldn't have a better You couldn't have a better profile, I don't think. Right. It's even making me a little bit aroused. I appreciate that. No, no direct, you know, nothing coming to you. But Rise, I think you're at the top. Uh, LH, and in in all seriousness, ladies, get in touch

Section 403: 02:04:07,840 – 02:04:46,390

If you want. But in all seriousness, just email. >> Um, in all seriousness, you have a gift of bringing uh this kind of rapid fire of the exact, you know, reason, right? You're just saying, look, A plus B equals C. That's all. Just look, it lines up. and you cut [clears throat] through any sort of, you know, argumentation. And I like that. I like that. That's that's uh beautiful. That's beautiful. All right. And what are these Chewy? The artwork is starting. LH, what do you think about

Section 404: 02:04:46,400 – 02:05:14,790

Your you you know what? You can be one of the first people to give us feedback because you have a character in this whole show. What do you think of your character? Put it up there again. Let him critique any. Okay, forget here what's going on. This is so >> The first time I saw that when you did that breakdown of my video on um Christing with Myth Vision and all that. When I first saw [clears throat] that that robot, I was like, "Oh, that's perfect." And you guys talk about Star

Section 405: 02:05:14,800 – 02:05:42,390

Wars all the time. I love Star Wars, too. So, I was like, "This is awesome. I love this. This is perfect character." >> Good. [laughter] Good. I'm [clears throat] glad you like it. You're very honorable. And there's you've got a big fan base too cuz people write to me and say how good you are. So if they're contacting me about you then you should know that your work is reaching people. So um >> I think that's to you as well and also the the way that the ancient Greek

Section 406: 02:05:42,400 – 02:06:04,629

Textbook the yeah the textbook works and how to learn it because I think that's how my mind works cuz when you're saying okay well you got to learn how the cases work. So you go okay nom of journey of data of accusative and then o on. So I'm like once you got as you said you got to make those mental slots and then once that locks in it's just there and I'm like okay that's why I could call it with when I was on withnostic saying hey

Section 407: 02:06:04,639 – 02:06:34,790

That's the wrong thing and it was like oh you got to call that one. So I think that's the way my mind works so it's easier for me to understand Greek. >> You must have a quick processor in your brain. Are you like, did your parents >> I'm a wrote I'm a wrote learner, so I I sit there for hours and hours and hours, lock it in, and then it's there. >> Oh god. God, that's a Okay. Are you an artist by any chance? I know you're a musician. Are you Do you like uh

Section 408: 02:06:34,800 – 02:06:56,229

>> No, not really. It's like I worked this out back when I was in school cuz my study tech the study techniques they gave us in high school, I was just it was just completely I had no idea. It wasn't working for me. So when we were doing essays and everything, I would just take a giant chunk, break it down into little sentences, and then word by word, and then just go one word, clicks off a whole paragraph, next word, whole paragraph, and it just breaks this down.

Section 409: 02:06:56,239 – 02:07:25,510

That's how my mind works. >> Good. Okay. Wow, that's fantastic. You're some kind of superhero or something. Then maybe that's why you No, maybe that's why you gun him so quickly. I'm going to watch next time. You know what? I'm going to watch maybe again or next time. What are you going to do in the future? What's on the what's on your plate? >> Um, I got a couple of videos I want to look into with um Betty Hughes, you know, the the um she's awesome on ancient history and stuff. The one I

Section 410: 02:07:25,520 – 02:07:47,750

Used when she was talking about Pharmarmacon is drugs and I used it to make additional to your work. She was talking about um the priestesses using drugs in caves in um the Minowans and I was like, "Oh, that's interesting. I want to look at that and then go on a few other things on that as well and then see what else." like it just comes to me like you see their sources and I'm like okay let me go through this source I haven't seen this one and then just

Section 411: 02:07:47,760 – 02:08:17,030

Pull up okay what can I bring out of that how can I connect that to the work you've shown us all and then bring it all together >> yeah like a graduate student working on your degree right that's gorgeous um you with some grand dissertation you know you're going to have to come out of this with some kind of grand dissertation maybe that's the work but the artistic side of it I mean I know your show is your work too, right? So, >> what kind of that's why kind of why I'm

Section 412: 02:08:17,040 – 02:08:52,229

Asking what kind of direction do you see yourself going? like you've got this base of knowledge now. You've taken down people who are trying to say no, you don't know what you're talking about and now what? Like are you okay when you when you revealed that okay farm is drugs and it's talking about Christing drugs. The ancient Greek texts are talking about Christing rubbing and smearing with psychedelic drugs. Now, psychedelics came to me through when my grandmother died in 2013. Like, I think we've all had these

Section 413: 02:08:52,239 – 02:09:16,550

Experiences where we go into super deep depression or we go into whatever. And then psychedelics brought me out of that. So when I've been focusing on psychedelics for what's that over 10 years now and then when you brought this to me in the ancient Greek texts I'm like okay so I kind of want to focus on the drug side of it and how the psychedelics were used in antiquity to not just get us out of these depressions and stuff but how they were used to just

Section 414: 02:09:16,560 – 02:10:01,030

Create society basically what it looks like in ancient Greece. >> Yeah. Genius. Yeah. I think that see that's the dissertation you've got. That's um and that's not like that's just something the university identified and grabbed on to that in artistic people or scientific people who are productive, they're going to produce some kind of great research work and that's what you've already got going in your uh noggin. So, you're years ahead of your time, but maybe you're supposed to get this done fast. I um I want to help you with the drug side of that and where to find that stuff, but you know,

Section 415: 02:10:01,040 – 02:10:20,229

You've got the tools now with TLG. You can use TLG, can't you? >> Yep. Yep. Yeah, it's online now. You couldn't do it online before, but everyone now you can pay an online like it's $150 US and just get the TLG. You can look up anything you want basically. >> Good. So, you should start farming

Section 416: 02:10:20,239 – 02:10:59,830

That area. You should start farming that area. You know how Melina is looking into uh orgasm, right? Go to the word in Greek, right? And look at it and [snorts] it's going to shock you. It's going to be oh. So find all those references. Malina needs to find all of those references to orgasm everywhere they are. And she needs to do what you need to do. You need to look at the what is ecstasy right and there are authors like pho who define for us what these terms

Section 417: 02:10:59,840 – 02:11:43,510

What is the difference between enthusiasm and ecstasy right Julius Pollock is a grimaran and he talks about what is you know what are the fine differences between um these different types of mania >> right so I think you like Melina would benefit from jumping into the the mental processes. How do you treat depression? You're going to be using drugs to treat depression, right? So, you've been through it, right? You ought to just find the links to the mushrooms and the depression

Section 418: 02:11:43,520 – 02:12:16,229

Psychological issues. you know that all that stuff is there. Nobody has researched that stuff. LH, >> that's the crazy thing. Like I couldn't believe it when I saw your first one of Danny Jones. I'm like, "Okay, let me check all this stuff for myself cuz that's my research mind." And then when I found that episode on Cleopatra, I don't think people understand how For me, I don't know if people understand. When I saw a PhD scholar talk about Cleopatra saying, "We don't know how she applied the poison." I'm like, "Hang on.

Section 419: 02:12:16,239 – 02:12:43,910

I just read two sources in ancient Greek and well, one incient Greek and one in Latin that says how she did it." Now, you don't say that's how we know for sure, but you say, "Okay, we have a source that says this and she didn't even do that." I'm like, "So, do they not know or do they know and they're not telling us because I can do it myself? So, how come these PhDs can't?" I think I'm gonna say I'm betting it's because of incompetence, not purposeful

Section 420: 02:12:43,920 – 02:13:24,310

Obfuscation, >> right? Because when I got into the field and I realized um you're basically one of just a couple of people in the world that is doing this. Nobody reads the medical stuff, pharmacological stuff. Nobody read that stuff, right? Are you kidding? Right? Look at f uh phuminous, right? Look at him. He's sitting there. That thing's still right. Look, it's a great work, but nobody's going to know that at a university. It's not their fields. Did you notice that? Um, the guy that Oh, God. Why? It's

Section 421: 02:13:24,320 – 02:14:00,870

Gollum. Now all I can write Bart >> the Bart Urman um was so illprepared with the Greek that he didn't know if there was Christing before the Septuagent. >> Yeah, that was >> right. Like um what? >> Yeah. >> Right. Like you know you know what that means? That means you don't read a lot of Greek. >> He had never read it. Yeah. >> Right. Right. It just means you don't read a lot of Greek. You just don't. I'm sorry. Thank you, friend. But LH, that's

Section 422: 02:14:00,880 – 02:14:16,229

How the entire discipline is. So, how are you gonna, you know, Neil and his group and Myth vision, those people all promote academics to come on and say a lot of the times what is complete

Section 423: 02:14:16,239 – 02:14:53,030

Because they don't actually go to these texts. They don't. Right. So, you tell me where what do we do? Do we smash down the doors academia? What do we do? >> We need to get um we need to get pharmacologists who are interested in history and show them these texts and to be like, "Hey, do are you like how many people actually study pharmacology and history?" Like >> um I could tell you of not very many. >> [clears throat] >> Um, right now in classics I haven't seen

Section 424: 02:14:53,040 – 02:15:14,310

I've seen only what may be one dissertation that was pharmacological. So I don't know maybe there's figure there's probably four or five times that five or six people maybe >> Jesus Christ >> working on that right now. Right. Galen, people just started studying

Section 425: 02:15:14,320 – 02:15:38,069

Galen, right? And I gave an interview to a classicist down in Argentina and she didn't publish the interview because all everything that I told her was from sources that they don't read. >> So, she can't verify it. >> Yeah. >> Right. And do you know what that means? That means she doesn't read a lot of Greek.

Section 426: 02:15:38,079 – 02:16:12,310

Right. If you can't verify something here, send me the quotes. I'll verify. >> Yeah. >> Right. Don't you don't even have to tell me who this is written by. Let me guess and let me guess the century. >> Yep. >> Right. That's what I'm talking about for performance. And to watch people to watch Neil sit there and be like, "Oh, he lied. He must have lied. He must have lied." No. Listen, you insurrectionist meatthead. No. you're way out of your league and guys like LH

Section 427: 02:16:12,320 – 02:16:43,429

And Malena are showing you Josh are showing you right. So if you have any future interaction, do you think that you'll uh deal with the brothel again? >> I I don't have any um desire to at all. Like I I really wanted to get those two things out the way. show you he cannot read Greek and he's full of and show you that he misrepresented scientific papers. So this is these are the two best I I believe two best pieces of evidence to show you who he is. He

Section 428: 02:16:43,439 – 02:17:17,910

Lies about evidence and he can't read. >> Yeah. Yeah. Yeah. Now now find out your place in the in the front at the front here. Use that skill cuz you've got robot awesome skill at shooting people down. And I Hey, LH, I'm telling you, I got a lot of comments telling me, "Oh, finally here comes someone who just processes the information and is giving and cuts out all the theatrics." >> I get that a lot, too. Yeah. >> Right. You get that? You get that? So,

Section 429: 02:17:17,920 – 02:17:52,735

Look, take that serious. When I see that, I take it very serious. Right. And >> don't stop the theatrics, though. I enjoy I love watching that though. It's It's awesome. >> Right. the um I turn I listen to what people say when they say that and it gives me a a source in the late hours of the night in the darkness to find them in their dreams and to do things to them they don't realize how it's going to affect them in the long run but for me It gives me exquisite joy um

Section 430: 02:17:52,745 – 02:17:53,750

[clears throat]

Section 431: 02:17:53,760 – 02:18:30,389

I think that your skill and talent now should be put to use in the vanguard So, however, once you figure out where and what that is, you know, plug in and I need to start tutoring you in, uh, ancient Greek. >> So, um, you should start coming to the dojo. Things are going to get a little bit shaky right here before the concert because I'm, you know, working up and doing things that I need to do to get ready. So, uh, once we're done with the concerts, I want you as a student and I

Section 432: 02:18:30,399 – 02:18:58,469

Want you to I want >> that's what I wanted to focus on before Dallas cuz if I want to come to, um, Dallas next year. So, I want to for the next few months after that, I want to focus on going through like unit four, five, six, all the way through as much as I can. >> Good. Let's do it in November. Um, October, November, somewhere in that range. Let's do it. and a month, just four weeks of you and I working together. Um, that would be fantastic.

Section 433: 02:18:58,479 – 02:19:32,389

It would be gorgeous. Okay, here's what I'm going to do. LH, thanks for coming. Everybody who thinks LH is the cat's meow, please feel free to, you know, you know what? He's got email, too. Just bother him. >> Um, >> thank you so much, man. Thank you for showing us all this. Everyone, we can do it ourselves. Go do it. >> We can. We can people you see how considerate LH is. Look, you see how considerate it is. Surely in satanic congregation, there is someone who finds

Section 434: 02:19:32,399 – 02:20:15,429

LH to be that wonderful guardian of righteousness. You know what I mean? That superhero, you know, that robot of destruction, programmed righteous destruction. Seriously, people bother him on his channel. And if you think that he is cats meow, please send it to him. Here, show them L's channel for goodness sake. And I'm going to do a couple more Greek phrases and then couple of things I brought that I want to show you. Just couple of minutes worth people. There he is. Go find him. Look, request things. You know what I

Section 435: 02:20:15,439 – 02:20:48,070

Mean? Charge in there. Satanic congregation people are already [sighs] thank you sir thank you LH beautiful job give me a couple of Greek slides here I want to stop us with the oh look at this people oh no give me the one after that actually is the real no actually the one before that people when I tell you things after that when I that one people when I tell you things and I promise you that they're real I just want you to see every once in a while. I got to show

Section 436: 02:20:48,080 – 02:21:07,590

You. You know what I mean? When you were talking about plastering stuff, right? When you're talking about adding, are you talking about the pharmaceutical industry? People will say, "No, no, you know, you're talking about pitch and you're talking about fresco that you're

Section 437: 02:21:07,600 – 02:21:27,990

Spreading on a wall." people implone with or without the pharmarmacon that is the pharmicon can be implied. Do you understand the pharmicon bears weight with this word that is what the lexicon is identifying

Section 438: 02:21:28,000 – 02:22:08,230

When you're using this word you don't have to have the pharmicon illicitly stated for it to be understood. Do you understand that? Some meatthead got on there and said he doesn't know how to use a lexicon after I've been using one through a PhD for 35 plus years. How many years is it? I think it's getting closer to 37, is it? Oh god, I don't remember. It was 1307. people. By the way, to that reporter, Darren, to that reporter, um,

Section 439: 02:22:08,240 – 02:22:28,790

I know you're writing your article. To that writer, I should say he's writer. To the writer, Darren, who's writing, right? The dead girl. Oh, God. The dead girl. I was just going to tell him, but no, I'm not going to tell him. Go, people. No, that's what happens. Go to 1331,

Section 440: 02:22:28,800 – 02:23:12,870

Darren. Go to 1331. I I'm not making up, man. Let's go to the text again. That was gorgeous. And people, let's just relish some of this gorgeous Greek. Give me people. Look, um after that, go to the next one. Here's the assaltos, right? That's something you process, drug you process, right? something you you wouldn't consider today part of the pharmaceutical industry, but that's because you're the modern world. Go back to it, people. And how do I know this? Look at where the sources are from. Where the sources do you see what's in blue there, Galen? Why do you think I

Section 441: 02:23:12,880 – 02:23:23,110

Know this Why do you think I know it? Because I've read the authors who talk about it, right?

Section 442: 02:23:23,120 – 02:23:45,129

Dascortis. God. God, give me the next here. People, what is the I want to bring you a little juiciness, people. Oh, God. Are we Christing here? I don't know why, right? I don't know why I brought this, but we're dressing up with the purple. We're Christing that

Section 443: 02:23:45,139 – 02:23:46,150

[sighs]

Section 444: 02:23:46,160 – 02:24:21,270

People when Jesus is involved in the Christing and Mary Magdalene's drug, right? It's so expensive. So expensive. Why do you think that drug was so godamn expensive? For those of you who are trying to figure out what was going on behind the scenes with Mary Magdalene, you can know that she was wellfunded not with the coin but with the drugs. Right? There is wealth in this ancient

Section 445: 02:24:21,280 – 02:24:57,349

Drug mystery. There's wealth. [snorts] [sighs] God, people are going to be thinking about the Is there wealth in the What's the modern industry? It's just rape, right? It's just child rape with these people, right? Wealth and child rape. Is there child rapist still on the throne? I think he is people. What do you need? You need the fool to call it out as it is. And that's where the resistance is. Look at here. The Sphinx.

Section 446: 02:24:57,359 – 02:25:22,469

Do you know what the Sphinx is? That form that Joe is in love with and pulling through the portal. That Sphinx. That sphinx is part of that bakic satanic chorus. She is that sat.

Section 447: 02:25:22,479 – 02:25:42,070

She is that play that involves those saters. Who else are we talking about? Keep her up there. Who else? Give me the next one, people. Another lady for you. Her name's

Section 448: 02:25:42,080 – 02:26:04,645

Right. And this we're going to look at plays about her. We're going to look at Seder plays. We're going to look at the queen of the bak rebel. What? Give me the next one. Who is this woman? Who is this woman? People

Section 449: 02:26:04,655 – 02:26:11,110

[sighs]

Section 450: 02:26:11,120 – 02:26:41,990

Or who is she? Oh, she's connected. She's connected. One of those divine priestesses. Oh, God. And what happens? You know what happens to her? She gets raped. People over and over and over again. And did you know the Athenians started thinking about democracy cuz all the child rape?

Section 451: 02:26:42,000 – 02:26:53,190

Did you know that the journalist asked me, "Are you for the sexualization of children?" Absolutely not. You

Section 452: 02:26:53,200 – 02:27:21,936

Protect the virgin, you dumbass. That's how you get democracy. You have to protect. You have to gourd, dumbass. >> [sighs] >> What do you do with the people? Do you support the people? Chewy, this is what gets me about Neil. He supported a dude. Show that picture. He supported the Did you just show my email?

Section 453: 02:27:21,946 – 02:27:23,750

[laughter]

Section 454: 02:27:23,760 – 02:27:36,346

Did you? I thought you did. Oh god, my life flashed in front of my eyes. They're going to know everything about my late in my late auto insurance.

Section 455: 02:27:36,356 – 02:27:36,950

[sighs]

Section 456: 02:27:36,960 – 02:27:59,590

People, the final thing I will bother myself with as I go into the season of my punk birth, the final thing I will bother myself from the brothel, it will be the ending chapter of my interest in the brothel.

Section 457: 02:27:59,600 – 02:28:19,990

For the ion. Do you understand? It'll be the last thing that we do. The very [snorts] last thing that we do.

Section 458: 02:28:20,000 – 02:28:24,710

Where is the justice?

Section 459: 02:28:28,080 – 02:28:36,309

You and I, satanic congregation, have lived in a world that has abandoned justice.

Section 460: 02:28:36,319 – 02:29:01,349

My fellow Americans, we have lived through an insurrection and the con the following overthrow of the Constitution. And we have watched it. And we have watched it carried out by people whose greed compels them.

Section 461: 02:29:01,359 – 02:29:15,590

There is no purity if there is no purification. This is the bakic mirror. And you are an insurrectionist.

Section 462: 02:29:15,600 – 02:29:20,070

Do you understand?

Section 463: 02:29:20,080 – 02:29:58,070

It's time to move on. Just a little bit in your brain. Let's go, Chewy to a nice exit. By the way, Chewy is going to get on some work that involves as soon as she's done with the movie, some work that involves Teddy Base. And I want people to realize that Teddy Base is still there. Still there. even though we're talking about other music and I have other people who are coming up with music who need to be featured. Do you understand? So Teddy Bass will be coming

Section 464: 02:29:58,080 – 02:30:11,590

Up with some of his music working with Chewy. So anyh who wanted people to know that's coming and I hope Teddy can come out to the concerts. Oh god. [sighs]

Section 465: 02:30:11,600 – 02:30:39,670

Satanic congregation. This is a great great night. I feel that we've been able to do something that [sighs] should just be a gift to certain, you know, people who deserve it. And I don't think I've rated such a gift. So, thank you from me to the muse. May Nemesis recognize

Section 466: 02:30:39,680 – 02:31:07,830

That I understand what a beautiful thing is being given to me and to you to Chewy and to everybody. Thank you satanic congregation for coming. I'll see some of you tomorrow in class and Friday. We may have to bend the rules and do put off Friday. Um,

Section 467: 02:31:07,840 – 02:31:30,710

Yeah, and I need Yeah, Chewy's got some editing. So, people um, thank you for coming tonight. Hail Satan. Stirring the red sauce [music] gravy sleigh bells ringing. Let the good times roll. Fashion gibbous. Apply pain to the road. Wicked Tony tone. Fantastico,

Section 468: 02:31:30,720 – 02:31:59,830

Satanico, flavorful, [music] turning up the heat. This place is lit like fire. Stirring up the tomato sauce to die for. [music] If they can't produce the orphans, crucify the lot of them by order of the dragon. Get [music] this place cooking. Death star overkill with death lock the demolisher. Dead can dance macabra. Don't feel the snake.

Section 469: 02:31:59,840 – 02:32:07,349

Stay up late. [music] Do you like balloons?

Section 470: 02:32:07,359 – 02:32:16,690

Violet, silk, satan, [music] venom, sweet taste. Have a drop or two.

Section 471: 02:32:16,700 – 02:32:23,240

[music]

Section 472: 02:32:27,439 – 02:32:31,560

420 Loves you.